Theoryland of the Wheel of Time

Is Thinker from the Purelake scene Demoux [from the Mistborn Trilogy]?

Demoux is indeed in that scene.

And for those who didn’t hear, about the other one, there is a scene in the Way of Kings. People have been trying to figure out… there are some members of… there are some people there that I have hinted are from other books, and they have now figured out two of the three. I don’t think you’ve figured out the third one, and you won’t because…

MI'CHELLE

Has their book been written yet? Has their book been published?

BRANDON SANDERSON

. Their book has not been published yet. I won’t say if it’s been written yet. Is anyone confused at what’s going on there? There is a connection between the books.

Raoden finally confronts Taan here in this chapter. In a way, the three gangs that Raoden has to defeat represent three things that the Elantrians themselves need to overcome. The first is their solitude, represented by Karata's exclusionary attitude. The second is self-pity, represented by Taan's indulgent madness. The final is their pain, represented by the wildmen of Shaor.

The way, therefore, to defeat Taan was to turn his attention outside of himself. Self-pity melts when confronted with larger issues, such as the beauty and wonder of Elantris itself. I worry that this scene itself was a bit too melodramatic—however, I've always said that the difference between drama and melodrama is how engaged the reader is by the story. If everything is working like it should, this section should seem powerful, rather than over-the-top.

I do think, however, that Raoden's arguments are a bit too philosophical for his audience. I did that intentionally. Raoden is a child of privilege, and he is something of a thinker. His philosophical arguments are probably the first things he himself would consider, because of how curious and interesting they are. However, he doesn't achieve success with this crowd until he turns to more practical observations. In reality, his strongest ally in this scene was the way he broke the tension and the passion of the moment. Once Dashe's momentum was gone, he couldn't convince himself to continue.

You'll note in later chapters that Raoden's victory here wasn't as complete as it was with Karata's band. This is mostly due to the fact that Taan's followers weren't as committed to him as Karata's were to her. Though I still see this as a victory for Raoden, the fact that many of Taan's followers find their way in to Shaor's camp implies that his efforts had some serious side-effects.

Excellent question, and the answer is it developed over time. Specifically, after I read that ending, I started to reread the whole series—the first time I'd read the series knowing I was going to be part of the series which...you have to approach it very differently, knowing you're going to be a part of it. And I took all of those notes, and I reread the series, and I built an outline using Robert Jordan's scenes as touchstones. A lot of times when you're building an outline—even Robert Jordan who was more of a discovery writer, I heard from Harriet did it this way—you kind of plan your book like you would plan a road trip, where you know you're starting in D.C. and you're going to end in San Diego, and outlining for me is putting in between them all the road markers of places you're going to go, and so I laid down this map where I said, "Okay, here's a scene he wrote; let's go there. Here's another scene he wrote; then we'll go there. Here is another scene..." and I used those as my touchstones to get me across this map toward the ending.

And I then had places where there were gaps, where I didn't know what happened in between, and that's where I would fill it out. "This is what I'm going to do here..." And I actually did a lot of that with Harriet and Maria and Alan in Charleston where we sat down, and I actually got big sheets of butcher paper—because I can be a visual thinker at times—and I would start with a character and start writing down where I thought they should go, and pitch different things to them. And I usually had a couple of different ideas, and they'd say, "Oh, this feels right; this doesn't feel right," that sort of thing. And together, we hashed that all out for all three books, because they were one book in our head then. One very long book, but one book. [laughter] And I then took those sheets of butcher's paper and typed it all out into a big, massive outline, which then I used across the next five years, working on the books, as my data post, and I used that to point me toward that ending. And that's where it came from.

I suppose one thing to wonder is how do you enter Shadesmar? We know of a number of people who are jumping from world to world through Shadesmar. Grump Thinker and Blunt, Hoid too. How are they accessing the cognitive plane to transport themselves across the lands?

Presumably Shallan's bond with the truthspren let her get in. How does this work? If she had only a dim sphere then does it not require any stormlight, any spiritual power? Is it a purely cognitive change? I could see some advantages to that. You could hop into this alternative dimension at will if you were being attacked, even with little power.

The scholars earlier talk of whether there is food in Shadesmar, so presumably others have visited it. Can non soulcasters visit it? Is there some fabrial that grants you access? Are they only referring to the distant past, when KR had the power to access it? Is it purely a thing of the mind that anyone can learn? Is it only possible if you have access to a splinter of a shard?

And on an unrelated question, they have symbols on their heads. If Shallan managed to draw one of these would it be some glyph? Perhaps some glyph that we would recognize, like the glyphs in the artwork at the front?

There are many ways to enter Shadesmar. You'll see more of this in the future. One thing to keep in mind about Shadesmar is that space where things are thinking is expanded, while space where there is nothing to think is contracted. In other words, in an empty void, you get almost no Shadesmar. This makes distances as we think of them very different there.

As for the symbols making up the heads of the cryptics, those are not glyphs. But it's possible you would recognize them...