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2012-04-30: I had the great pleasure of speaking with Harriet McDougal Rigney about her life. She's an amazing talent and person and it will take you less than an hour to agree.
2012-04-24: Some thoughts I had during JordanCon4 and the upcoming conclusion of "The Wheel of Time."
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For kcf, again, we have never met anyone who has the Talent of emulating the effects of a ta'veren over a small area.
I give my input on the design of the chapter icons whenever a new one seems needed, but Harriet actually decides where to place them, and I am happy to leave the job to her.
Yes, Ingtar was seen at the Darkfriend Social.
The Wheel creates ta'veren at need, making someone who is already alive one. You aren't born ta'veren. Can you imagine being around a ta'veren who is teething?
It would be possible for a Darkfriend or Forsaken to be made ta'veren, but it seems unlikely. Ta'veren are part of the Wheel's self-correcting mechanism. When the Pattern seems to be drifting too quickly, and especially if it is in the wrong direction, one or more ta'veren are created. I can't really see how making a Darkfriend or Forsaken ta'veren would help with correcting the drift of the Pattern.
Ta'veren can oppose one another, when their conflict is what the Wheel "sees" as the necessary corrective. And, no, ta'veren is not Old Tongue for Deus ex machina. It came out of musings on luck, charismatic leaders, and the theory of the indispensable man.
Katerine escaped with the help of Darkfriends. Galina, who is much more closely watched by Wise Ones than Katerine was, would have little opportunity to use their help for an escape even if she wanted to, and she doesn't, not until she can get her hands on that rod. She'll put up with anything to get that.
Anyone who can channel, however weakly, can see the glow of saidar and feel someone channel. For sul'dam who have been sul'dam for a time, some begin to be able to see what might be called a ghostly image of the flows. Others convince themselves that this is, of course, only imagination and manage to give themselves a block.
Wow, you have a lot of questions. One more, and then I'm off to the next person.
Someone who sees ta'veren sees them as glowing. The more strongly ta'veren, the brighter the glow. This is a Talent, and is something that only someone who can channel can do. While she was stilled, Siuan could not see ta'veren, nor could she have if she had been burned out.
Question for those in the know: is the written content in the WoT ARCs or galley copies any different from the retail version? Any changed lines or new/missing parts?
I own a few ARCs of other books, and they don't seem any different from the retail version (as far as I can tell), but reviewers were asked to make sure any quoted text matched with the final version.
For the various versions that I have of this series, the results are all over the place; here are few examples:
A lot of the pre-publication versions I have such as The Great Hunt, The Dragon Reborn, The Fires of Heaven, Winter's Heart and Knife of Dreams have no obvious noticeable differences from the retail versions (although I haven't read through each in great detail so as to not damage them).
The galley for The Shadow Rising has a prologue of approximately 1.5 pages that was integrated into the first chapter of the finished book.
The advance version (2-book set) for Lord of Chaos has line edits, handwritten notes including some chapter titles written in and notes of what icon is to be used for certain chapters.
For The Path of Daggers, the book I have is labeled as an advance uncorrected bound manuscript that includes tons of changes: many, many line edits, actual chapter revision numbers, and in one spot, a chapter was moved to a different sequence in the book, and that's just what I noticed scanning through it quickly a few years ago.
My intention always has been, if/whenever I get the time to do a detailed review of each book, but that maybe just a pipe dream as I own a small business that consumes my life.
I started discussing some of this with Bob Kluttz of Encyclopaedia-Wot a few years ago in order to try get some info posted on-line, but I don't have the time to do the work nor the space or skills to post the info.
Hope this helps a little.
I also loved the ornaments. We worked with Matt Nielsen creating those. They were really good. The emblem that we used for the Blight is a tree, and I was trying to tell him what I needed. I said I wanted Arthur Rackham, and he said: "Who?" I said: "Well, okay, let's try and work on this."
He couldn't Google it at that point, either.
No, but he did such a good job. The fans really caught onto them, thinking about their symbolism. "What do these ornaments mean?" They did, in fact, have a bit of a coded meaning. Lanfear's symbol means Lanfear is lurking in this chapter, even though she's not named.
It was fun, working on those ornaments. From the beginning, I did most of the chapter titles, all but one or two each book. I was very proud when somebody told me, many years ago, that he saw a chapter titled "Footprints in Air" in the table of contents and that made him buy the book. Well, great, that's the idea.
Every piece of it counts. The whole package.
I really wanted to do something we hadn't followed through with: the Wheel of Time in front and back. Back in the twenties, there was a wonderful children's book with a bullet hole that ran through the whole book. It was by Johnny Gruelle, who later did Raggedy Ann and Andy. It was a wonderful thing. I would have loved a book that had the Snake Wheel in the front of the book, the big one, and one in the back of the book, so you could really hold them like that to reinforce "There are neither beginnings nor endings—"
"—in the Wheel of Time." Practically, to do that right you would have had to put it on the end papers. We had such nice end papers.
Oh, yeah. Well, the map was more important.