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Your search for the tag 'korathi' yielded 3 results

  • 1

    Interview: Oct 18th, 2004

    Brandon Sanderson

    Father Omin, by the way, 'traces Aon Omi' on Hrathen's chest as part of the religious service. This should look familiar. It is a subtle little thing, but I wanted to show how the Korathi religion has been influenced by its proximity to Elantris. The priests probably wouldn't do something like this in Teod. In a way, Hrathen is right—Elantris has had a corrupting influence on those around it.

    However, 'corruption' is probably too strong a word. Religions adapt as their people adapt, and often times cultural elements are incorporated into belief structures. People have asked me, as a Christian, what I think about Christmas itself being set in place of a pagan holiday. Doesn't really bother me. The day we happen to celebrate the birth of Christ doesn't have any doctrinal importance to me. A religious person has to be willing, in my mind, to accept that while truth may be eternal, the way we interact with it—as changing human beings—must needs be influenced by the way we think and the way society works.

    It doesn't matter if my religion 'borrowed' things from other religions or cultures—especially if the things we filched added good things to the religion. That's what humans do. We adapt. We steal. This especially makes sense if you happen to be a writer. (We're really good at stealing. . .uh, I mean 'adapting.')

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  • 2

    Interview: Oct 18th, 2004

    Brandon Sanderson

    Ah, we needed some more Lukel. He hasn't been around enough lately. I'm glad I had the presence of mind to throw in a character to balance out Shuden and Eondel's solemnity. Lukel doesn't really have much part in the plot, but he's always there to throw in a nice quip or two. His annoyance at being told his face is too pink here is probably one of his best moments.

    I brought in the Patriarch for a couple of reasons. Though Joshua wanted to cut him (my agent is quite the headsman) and suggested that I have Omin reveal the proclamation, I felt that I needed someone with a little more authority to fill that role. Plus, ELANTRIS is a book about religion, and I wanted to look at the idea of having a religious leader who isn't necessarily as. . .wise as his people would like. By giving the Korathi religion a man like the Patriarch at its head, I could show a different aspect of faith in the book—the idea that a religion is more than its leader, and faith is more powerful than one man. I think that for any religion to last, it needs to be able to survive IN SPITE of the people who run it, rather than just because of them.

    By the way, in the original draft, when Sarene gives her "All of Arelon is blessed by your presence" line when the Patriarch is on the docks, the Patriarch originally said "I know." Moshe thought this was a little overdone, so I cut it. In my mind, however, the Patriarch IS overdone and cliché—that's part of his character. But, anyway, one other item about this scene is the storm. I threw it in so that I could fudge the time of the Patriarch's arrival—the triad structure requiring me to have had him on the boat longer than the trip should take. This might actually not be necessary any more—in the original, I had him leave before he found out about the king's death. (I'm. . .not exactly sure why. Something to do with pacing and the triad structure. However, it was always my intention to have him read the proclamation at the funeral, so I had to have the ASSUME that Iadon would be executed, then take off with the proclamation. Either way, I eventually fixed this, smoothing things out considerably.)

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  • 3

    Interview: Oct 18th, 2004

    Brandon Sanderson

    You'll notice in the 'Sarene prays in the chapel' scene that I take care to describe how high-necked, long-sleeved, and generally enveloping Sarene's dress is. Hopefully, this doesn't look suspicious. However, those of you who are watching carefully probably realized what was going to happen at the wedding. This was just too good an opportunity to pass up—for the surprise factor, for the wrinkles it throws in to the plot, and because it lets me mix Sarene and Raoden again.

    This prayer scene also offers our first, and only, real look into Sarene's religious mindset. Her faith is probably one of the only simple aspects of her personality—she believes, and it doesn't need to go much further than that for her. That's why I had this prayer be so simple. Sometimes, a simple thing can be far more powerful than a complex one.

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