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Your search for the tag 'traveling' yielded 24 results

  • 1

    Interview: Jan 25th, 2005

    Week 19 Question

    How far can a channeler Travel with the One Power? I know they can Travel anywhere on the globe, and enter Tel'aran'rhiod through a slightly different weave, but is it possible to Travel to other planets, or even planets in other galaxies?

    Robert Jordan

    Travel to other planets within the solar system would require a circle of fairly strong channelers, though not necessarily as many as thirteen, depending on exactly how far out they wanted to go. Travel to a planet in another solar system would require a rather large circle (of the maximum possible size) of very strong channelers, and there would a limit on how far they could go in one jump. They could planet-hop, of course. Travel to another galaxy would be beyond them even if they began on the planet in this galaxy nearest the target galaxy.

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  • 2

    Interview: Jul 19th, 2005

    Week 14 Question

    Military strategy in the War of Power must have been odd, indeed. How do the concepts of capturing and holding territory even make sense in a world where forces can Travel?

    Robert Jordan

    Good question, though not all of the forces involved could use gateways. (Rafo! Rafo!) Think of the ability to Travel in terms of moving troops via aircraft, and you will begin to get the picture. Even with the largest possible circles, there are limits to the size of gateways and thus limits to the front along which you can move troops out through it, the numbers you can commit simultaneously. Of course, you can use multiple gateways, but each is still only so large and can admit only so many soldiers at a time.

    So-called front lines were very fluid, but you couldn't fling your forces in anywhere without regard to what would be surrounding them or how you were going to re-supply, reinforce or withdraw them. Although no one has shown it so far in the books, there are ways to interfere with the making of a gateway—and ways to defend against interference—so the battle would take place on many levels. Yes, any area you hold can be attacked by your enemy, and you can attack any area that he holds. (Part of the result was great destruction and a great fall-off in the ability to produce high tech items. By the time the Bore was sealed, soldiers were already much, much more likely to ride horses and carry swords than to ride armored vehicles or aircraft and carry shocklances, which had all become very rare.) But holding an area is not impossible so long as you can successfully disrupt your opponent's attempts to make gateways into it. Even if he manages to get those first soldiers in, if you can disrupt his ability to reinforce, re-supply or withdraw, it becomes another Dien Bien Phu for him. Of course, if you fail, then it becomes Gettysburg or Waterloo, a bloody fight that will be decisive for somebody. At least until the next "decisive" battle is fought. Remember, that designation is always given after the fact, by historians.

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  • 3

    Interview: Dec, 1993

    Question

    In The Fires of Heaven, in the chapters "The Far Snows" and "A Short Spear," was the timing of events deliberately precalculated by him, or not? If the first is true, I'm not asking for an explanation—presumably we'll get that in a later book. I'm just asking for a yes or a no. (If he wants to know why the question was put, please just say the two words "time zones.")

    Robert Jordan

    Yes, the timing was calculated. I know how far to the west Seanchan lies.

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  • 4

    Interview: Oct 28th, 1994

    Robert Jordan

    When I asked about the hemisphere of the Seanchan continent RJ said that it had parts in both the northern and southern hemispheres, but that Rand and Aviendha Traveled to a part in the southern hemisphere.

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  • 5

    Interview: Oct 11th, 2005

    Question

    There were two plot related questions in the Q&A, both were RAFO'd: Did Aviendha's gateway in beginning of The Path of Daggers go back in time?

    Robert Jordan

    RAFO.

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  • 6

    Interview: Jun 16th, 1995

    Robert Jordan

    On Skimming and Traveling he said: "In Skimming, one need to know the target better than the starting place. In Traveling, one need to know the starting place better than the destination." [Not exact quote, but nearly so, and the effect is exact. Very interesting implications if taken literally.]

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  • 7

    Interview: Jun 27th, 1996

    AOL Chat 1 (Verbatim)

    JJVORSmith

    Can gateways be created at non-right angles to the ground? If not, why not? If yes, why haven't we seen them?

    Robert Jordan

    They can be, and you haven't seen it because there's been no need to do it. And also some of the people who can make gateways don't know how to do it.

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  • 8

    Interview: Sep 20th, 1999

    Robert Jordan

    The shimmering thing with Ishamael in the prologue of The Eye of the World was because of a True Power gateway!

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  • 9

    Interview: Sep 20th, 1999

    Robert Jordan

    RJ confirmed that Ishamael's strange gateway at the start of The Eye of the World was due to his use of the True Power.

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  • 10

    Interview: Jan, 2001

    SFBC

    I noticed that you have a degree in physics. Any chance of getting into the quantum mechanics of the concept of Traveling pertaining to The Wheel of Time?

    Robert Jordan

    (Laughing) I doubt it.

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  • 11

    Interview: Apr 8th, 2001

    KuraFire

    Ah yes, KuraFire asked about the prologue of The Eye of the World, where Ishamael Traveled, but with a different description than that of usual Traveling.

    Robert Jordan

    Jordan said that that was because the Traveling was done by using the True Power. We'd seen the same since, when Moridin Travels somewhere..."The Pattern screamed."

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  • 12

    Interview: Jan 17th, 2003

    Jonathan Gan

    Can a Gateway be opened horizontally?

    Robert Jordan

    (paused for 3 or 4 seconds in thought) I don't see why not.

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  • 13

    Interview: Apr, 2003

    Budapest Q&A (Verbatim)

    Mort

    What about the thread of the life in case of the Forsaken? Are they part of the Pattern or they are outside? Is it broken in the case of the Forsaken?

    Robert Jordan

    No. They're part of the Wheel, except for the fellows who've been balefired, who are now gone: no rebirth [resurrection]; they’re out. The Dark One is outside of the Pattern, as the Creator is outside of the Pattern, but everything human is inside of the Pattern. One of the things that the Forsaken hope to gain is immortality. And immortality would put them outside of the Pattern.

    Footnote

    RJ has said elsewhere that balefire is not the eternal death of the soul, and Brandon has confirmed it (and so RJ was merely saying that the balefired Forsaken could not be transmigrated into new bodies).

    Rhynn

    You’ve wrote somewhere that Moridin used the True Power and he stepped out of the Pattern or something like that.

    Robert Jordan

    No, he's made a hole in the Pattern as a way of Traveling which uses the True Power, which is a different thing. If you notice as far back as the Prologue of The Eye of the World, when Ishamael Traveled in to meet Lews Therin, who was mad, the description does not match the Traveling that we see later. It’s because at that point, Ishamael is using the True Power, which produces a different sort of effect for Traveling. It is a different method of Traveling than either men or women use with saidin and saidar.

    Mort

    The descriptions are quite similar when he arrived by Travel with saidin. You also say 'bore a hole through the Pattern', and for the True Power, I think in one instance, 'ripping a hole in the Pattern'. And in one other instance you wrote that he stepped back inside the Pattern.

    Robert Jordan

    It's similar. Similar, but it's not the same thing. It's why it produces that fading in and fading out effect.

    Sequoia

    But if a woman used the True Power she would use it the same way?

    Robert Jordan

    Yes. It's not separate. The True Power is not like saidin or saidar. The reason there are differences for men and women using the One Power is that one is using saidin, for men, and women are using saidar, which are not identical. But using the True Power, which flows from the Dark One, men and women are using exactly the same force, exactly the same source of Power.

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  • 14

    Interview: Oct 11th, 2005

    NaClH2O

    There seem to be some time discrepancies surrounding the incident where Elayne and company Traveled to the Kin farm. Did the gateway Aviendha opened to the countryside near the Kin farm at the beginning of The Path of Daggers allow Elayne's party to travel forward or backward in time?

    Robert Jordan

    He chuckled for a brief moment and then said "RAFO."

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  • 15

    Interview: Nov 22nd, 2005

    Robert Jordan

    Also, in Knife of Dreams, Beonin does speak wrongly, and as much as I would like to call it an editing error, it is such only in that neither the editor, the copy editor, nor my assistant caught it. Homer nodded, and I blipped. It will be corrected in the next printing.

    Footnote

    In the first edition, Beonin stated that to Travel one must know the destination, and to Skim one must know the starting point. (It's the other way around.)

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  • 16

    Interview: Dec 19th, 2005

    Robert Jordan

    For several people. Nynaeve could Travel after depositing Lan in Saldaea because she had "learned" that spot by Traveling to it. Remember, if someone Travels to a place, they now know the place they have Traveled to as well as if they had spent time there learning it.

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  • 17

    Interview: Jan 20th, 2006

    Robert Jordan

    For Isabel, hi, cutey. Regarding the scene at Dumai's Wells, the places they had Traveled to were not in the safety of the wagon-circle, where they were, but beyond it, among the Shaido. As for Illian, I was too crude in reinforcing something I had established earlier and wanted to reinforce, i.e. that you do not need to know a spot at all to Travel from it if the place you want to travel to is only a short distance away.

    Regarding Sharina, and other women who learn to channel at age, she will indeed grow younger in appearance. No, she will not achieve an Aes Sedai face without the Oath Rod, but where she has previously looked, say, sixty, she will look perhaps thirty-five, with accompanying changes in hair color. Think of it as analogous to slowing, which older women also do.

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  • 18

    Interview: Nov 19th, 2009

    Samadai

    The last question I asked was, will Elaida be able to withhold Traveling from the Seanchan?

    Brandon Sanderson

    He gave us another look, and with a smirk said, "I will say that is going to be an onscreen RAFO."

    Right after saying that he said. "Let me ask you this, Do any of you believe Elaida has the will to resist the a'dam? We all said 'No' right away, he gave us a smirk and shrugged his arms.

    Now although that wasn't a definitive statement, done with his body language, it damn near locked it up.

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  • 19

    Interview: Nov 4th, 2010

    Brandon Sanderson

    We learned that what Brandon liked about the magic system, and magic systems in general, is what the magic can't do. Think of the limitations on Traveling, and you'll understand.

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  • 20

    Interview: 2001

    Thus Spake the Creator (Paraphrased)

    Question (The One Power, the True Power, and channeling)

    [Someone was nitpicking about the Eye of the World prologue, when Ishamael suddenly pops in. It was a ripple or a shimmer or something of the sort, not a 'gateway'. So, this guys asks what was up with that? Creative license? Had not established the magic of the realm yet?]

    Robert Jordan

    What do you think?

    Fan Response

    [The guy said True Power travel]

    Robert Jordan

    Yes. [Can't give you specifics of response, but he did say that it (True Power) was the reason for the difference in Traveling.]

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  • 21

    Interview: Dec 2nd, 2010

    Mark

    I actually have a question that leads more onto the line of channeling and weaves—and I think this might have been yours, Virginia, but it's also been tickling the back of my mind for a while. Why is that no other channelers have rediscovered any lost weaves—like they did with Traveling, Skimming, cuendillar, real Healing, and all that fun stuff—before the Wondergirls?

    Maria Simons

    Well, we don't really know no one did. If they did, they didn't share it, sure. You know, not all channelers are Aes Sedai, and even Aes Sedai don't always share things.

    JENNIFER LIANG

    Yeah, they keep a lot back.

    MARIA SIMONS

    The Blue Ajah, you know, has all its little secret weaves, and I'm sure all the other Ajahs do as well. And two, there's always the whole thing that, 'the Wheel weaves as the Wheel wills', and sometimes the Wheel weaves out what it needs, and with the Last Battle coming, it needs all the help it can get…so the really talented people, the really ta'veren people, they come out again. That's for most of them. For Healing, maybe there's a different answer. Aes Sedai…they know how to Heal people, and that's the way they do it, and they don't need to know anything better! I mean, it's just Aes Sedai being Aes Sedai. They think they know what they're doing, so they don't look for a better way to do it.

    JENNIFER LIANG

    And if they have discovered a better way to do it, they're probably not sharing it with other people, because every Aes Sedai is looking for an advantage over the others.

    MARIA SIMONS

    Right.

    MARK

    Oh, okay. So then that sort of partially answers the next half of my question, which is: How did some of these weaves get lost in the first place?

    VIRGINIA

    Oh, my favorite rant. All the Aes Sedai woke up one morning with amnesia. How did I Travel? I can't remember.

    MARIA SIMONS

    Well, part of it…I mean, I was reading, of all things, the Big White Book, and you know, the Breaking lasted a really long time, and things were really breaking. I mean, you might know how to Travel, but you didn't know if where you were trying to go was still there. You know, it might be in the middle of the ocean now, or on top of a mountain, so people probably weren't Traveling as much...and Aes Sedai were being killed right and left. There were all these crazy men, channelers wiping out entire cities, and the Aes Sedai women were trying to stop them, and sometimes they succeeded, and sometimes not…so, things really went to hell in a handbasket. Fast. And, you know, if a woman knew how to channel and she couldn't find anyone else who had the strength to channel, she couldn't really teach anybody to channel.

    VIRGINIA

    That's true.

    MARIA SIMONS

    To Travel, is what I meant to say.

    ALAN ROMANCZUK

    Yeah, there was a time of course when the White Tower wasn't there. You know, the White Tower was a recent innovation in the grand scheme of things, and so the Aes Sedai after the Breaking were everywhere, so there wasn't that institutional memory in all things at that point, and things were lost.

    VIRGINIA

    So the Hall of the Servants, then, basically was a much looser organization than the somewhat hierarchical White Tower…

    ALAN ROMANCZUK

    Mmhmm.

    VIRGINIA

    …than we have now.

    MARIA SIMONS

    Mmhmm.

    VIRGINIA

    So we have a sort of central storing place for knowledge, or anything like that.

    ALAN ROMANCZUK

    Right.

    JENNIFER LIANG

    Yeah, think of what would happen to us if there was a horrible disaster that wiped out the internet. We would lose all of our knowledge except for, you know, the stuff that we still have in books. But you know, a good portion of our knowledge and communication that is electronic now would be gone.

    ALAN ROMANCZUK

    But this podcast would remain in people's hearts. [laughter]

    VIRGINIA

    Well, you got me on that one, Maria, because if my computer was suddenly taken away and there were no others to replace it, I think I would probably have the equivalent of amnesia. It's my plastic brain, and I really need it. [laughter]

    JENNIFER LIANG

    I've always thought that the lost talents were related to strength, because the modern Aes Sedai are weaker than the Age of Legends Aes Sedai, and a lot of these rediscovered weaves require a certain level of strength that just doesn't exist in those Aes Sedai.

    MARIA SIMONS

    Right, and also talent, because to do this Healing, you have to have a certain Talent for Healing. To make cuendillar...Janya couldn't make cuendillar worth a darn, and…she didn't have that Talent, so if somebody knew it, but there was nobody they could teach it to, it's gone!

    VIRGINIA

    Yeah.

    MARK

    Well, the thing is though…leading up to that comment: remember in—I believe it was Crossroads, but it might have been Knife of Dreams—when Sorilea (soar-ih-LAY-uh)—I have no idea if this is how it's pronounced...

    MARIA SIMONS

    (soar-ih-LEE-uh)

    MARK

    She taught Cadsuane how to Travel, even though she couldn't make the weave work herself. So just because you don't have the strength to make the weave finish doesn't mean you can't form the weave anyway.

    MARIA SIMONS

    That's true, but...okay. We've got our nameless Aes Sedai after the Breaking, and she's found a little crew of people, and none of them are strong enough to Travel. Well, she's going to show them how to do it anyway and hopefully one day they'll find somebody strong enough but, you know, they never do. So we've got the same thing, and you know, sooner or later it's going to…if you can't actually use it for anything, you're going to put it aside and not pay any attention to it, and it will get lost.

    VIRGINIA

    Or, by the time that bunch of people finds someone who is [strong enough], it might have gone through several iterations and they might have the weave just a little bit wrong, so that it doesn't work either.

    MARIA SIMONS

    Yeah.

    JENNIFER LIANG

    And—correct me if I'm wrong on this—but I don't think it's possible to write down how to do a weave. I think it's something that you have to learn through demonstration. You can't just write it down, and be like, 'Well, I'll put this on the shelf, and some day a hundred years from now someone will come along and pick it up and figure out how to weave...whatever from this. I feel like you have to be shown how to do a weave.

    MARIA SIMONS

    That is...I mean, that's how they do it. You know, the novices don't run around with heavy books; they run around being taught by actual people. It's my belief that writing might could give clues or something, but you have to be able to show it or work it out on your own.

    VIRGINIA

    Of course, I was going to say they could just check on YouTube and find out how, but then, would the One Power weaves even show up on video? [laughter] If they even had that...

    MARIA SIMONS

    Oh, that's a good question!

    VIRGINIA

    I actually was just wondering about that; I wonder if any these things—I'm sure that the effects would—but I presume that if most non-channelers can't see weaves that probably there's nothing there for a video to pick up, either...but it's an interesting question.

    MARIA SIMONS

    That is.

    VIRGINIA

    How to detect channeling: Whip out your camcorder! [laughter]

    ALAN ROMANCZUK

    With a wi-fi finder.

    VIRGINIA

    Yeah, okay. I'm going to be good now. That would be too funny. It's a shame Jessi couldn't be with us. She really wanted to be, but she had to work, and couldn't get off. One of her favorite premises is, you know, how drastically the Wheel of Time story would all be changed if they had access to cell phones and texting and the internet and everything.

    MARIA SIMONS

    Oh yeah. There would be no story.

    SPENCER POWELL

    They do though! Elayne has the communication ter'angreal. They have cell phones...ish. They just don't use them! [laughter]

    MARIA SIMONS

    Give 'em time.

    VIRGINIA

    I sort of [?] a couple of the guys before one time when we were podcasting and I had to get up in the office; I was working and I had to turn a phone off, and I came back and I said "I just had to disable that callbox ter'angreal." And they said, "Oh, you are such a geek." [laughter]

    SPENCER POWELL

    It's true.

    VIRGINIA

    A 'dork' is what actually they said.

    MARK

    No, you are a geek, because dorks have no social status whereas geeks are more knowledgeable in one or two given fields, and since we are all major WoT nerds—we qualify as nerds, not dorks.

    VIRGINIA

    Yeah, we got some cred there anyway.

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  • 22

    Interview: Dec 17th, 2011

    Loialson

    On Elaida—Did RJ leave notes about the rapid downward spiral that is Elaida's personality? First she seems like a mean but competent Aes Sedai, then it all goes sideways with a taste of power happens and Elaida becomes an egomaniac. Did RJ and Brandon do this to give Seanchan knowledge of Traveling? Only a nutbar would do something with such huge ramifications to betray her sisters.

    Brandon Sanderson

    He left specific notes regarding Elaida and her downfall.

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  • 23

    Interview: Apr 10th, 2014

    Question

    A certain male channeler who liked portals—how much of that was you just thinking of portals?

    Brandon Sanderson

    (laughs) So I had not played Portal at that point (laughter), which is actually very advantageous. I've told this story before, so I apologize if this is a repeat. Growing up reading the Wheel of Time and being a magic systems guy, certain aspects of the Wheel of Time magic system were very evocative to me. And I would list the two that were most interesting to me being the World of Dreams and portals themselves, gateways. These were two things that...you know when you... We've all done this, we've read these books. You put down the books and you keep dreaming, right? You keep thinking. And for me it was often what would I do if I were there, and devising aspects of the magic. I often inserted characters of my own into books I was reading as a kid, very frequently. I think I can trace back Hoid, one of my character's origins, to my always kind of saying, "Well there's a character behind the scenes who's doing all this."

    And imagining what I would do with gateways...Actually, it's one of these things that I sat down and started devising a magic system based around for a book. And eventually I did all this work and decided I just can never write that book because it's too similar to Robert Jordan. As I've said many times, I wanted to be very conscious of staking my own claim in the fantasy genre in doing different things because I feel that one of the places that the genre went in the late 90s was very much trying to mimic and copy Robert Jordan, who did really awesome things and I felt had covered the area, right? And I said I don't like that this is where the genre is going. I want to be covering new ground, be doing new things.

    And so reluctantly I kind of put aside some of those ideas, and then I got asked to work on the Wheel of Time. And I said, "Well, guess what I have in my little quiver back here, is a desire to really play with some of these magic systems." And so the meeting I did during my second visit to Charleston was in April or May of 2008, where we sat down. You guys remember that—we got out the butcher paper. I asked for butcher paper. We gotta see if we can dig those out. But I like sometimes to do visual outlining, and I took these big sheets of paper and wrote down character names and started making connections and building an outline. Wrote Team Jordan saying, "What if we did this? What if we did that?" It's where I threw out some of my weirdest ideas and I think terrified them, sometimes. Some things worked. Some things I threw out there, and there were like the whites you could see around their pupils. They're like, "What have we gotten ourselves into?" I'm like, "What if Perrin adopted the Way of the Leaf?" I remember Maria just flipping out about that. She's like, "Please, please don't do that!" [Looks at Maria:] Yeah, you remember that one, don't you? And throwing out all kinds of things because I feel that being brought on, one of the big dangers in working on the Wheel of Time books would be to play it too safe. Robert Jordan would have expanded the world, and the characters would have taken risks, and things like this. And one way we could fail is by not following his vision. But another way we could fail would be by creating bland books. And I think this is where a lot of media properties, like people who write on some big television movie—these books are really bland. Where they fail a lot is because they can't make any changes. They don't feel they can change the canon, they can't take chances, they can't push the stories In new directions, and the books often because of that will end up very bland. And I said we can't fall into that trap. We have to be willing to shake things up. We have to be willing to do things on the level of the things Robert Jordan did, where you know, look at Rand cleansing saidin and things like this. We have to be willing to do this.

    (indecipherable)... One of the things I said I really want to do is, I said I want a character who has a Talent for gateways, because I love gateways and I want to play with them. And I also kind of want to add a new character—well, do a Robert Jordan and take a side character and make them more a main character for these last books because I feel he would have done that with somebody. It's what he does. And so, Androl was... I said, "Is there an Asha'man I can have?" And I think...was it Maria? It was either you or Alan said—I think it was you—who said, "What about Androl? We know almost nothing about him. How do you feel about him?" And I said, "That's perfect, exactly what I was looking for." And I took him. And so this is kind of a place where I was allowed to take some of what I like to do about fiction in the fantasy genre and play with it in a way that wouldn't dramatically change a main character, and which would allow me to push the magic system in some new and interesting directions without overwhelming and dominating it. One danger I felt for me was if I took the whole magic system and dealt with it, it would go too off the wall. But taking one little aspect and kind of doing what I love to do, and really explore the ramifications of what this would do to a world, was something that really excited me and I felt would allow me to have some fun, but not take over too much. And Androl filled that perfectly. I really am pleased with how he turned out. And all these things that I dreamed of as a kid: "Ooh, if I had gateways, here's what I'd do. Oh, I'd do this. I'd use them as a weapon. Ooh, bottom of the ocean—what do we do if we go to the bottom of the ocean?" You know, and things like this, and whatnot. And it was just a lot of fun.

    So yes, that's what it was. And I give a lot of credit to Team Jordan for things like this. When I was doing this, I felt part of my job in these situations was to be the one pushing this toward that level of let's not play it safe. During this time, Maria and Alan kind of became the ones to say let's make sure we're not going too far. And that balance worked really well. They let me get away with on gateways a lot of stuff that I appreciate them letting me get away with. I know at some points, they were like, wow, I'm not sure if this is...yeah, this is a lot of gateways. I remember you [Maria] saying to me once, "This is a lot of gateways, Brandon." But I think in the end that push and pull between us ended up making the book very strong. And Androl became a really great character to add to the Wheel of Time canon, and so I'm very pleased with how that all turned out.

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