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  • 1

    Interview: Jan 25th, 2005

    Week 14 Question

    If the Forsaken were sealed away in Shayol Ghul since the Age of Legends, with no contact with the outside world, wouldn't they be speaking the Old Tongue when they woke back up? How did they learn the Common Tongue?

    Robert Jordan

    They still do speak the Old Tongue among themselves, but the first two who were freed, Aginor and Balthamel, had been held very near to the edge of the sealing, the reason they were so visibly affected and twisted while the rest came out whole and healthy, and they were very much aware of what had gone on in the world outside. You might say they had floated in limbo while watching three thousand plus years roll by, with the ability to zoom in. That is probably the only reason they didn't emerge entirely mad. In truth, those two have a much better understanding of the current world than any of the others because they watched it forming. They don't have a complete knowledge, because they couldn't see and hear everything at once, but they have an overview that is unavailable to any of the others, excepting Ishamael to a lesser extent. But then, he's a special case.

    For the rest (aside from Ishamael), who spend those thousands of years in a dreamless sleep, the language spoken "here and now" was derived from the Old Tongue. I've heard the analogy used of a well-educated, highly intelligent citizen of ancient Rome needing to learn modern Italian. It would hardly be a slam-dunk, but he or she would have the roots of the language already. In the case of the Forsaken, the task is actually easier than that of the ancient Roman, since modern Italian is a more complex language than Latin, while the Old Tongue, as I have said time and again, is more complex and nuanced than the language of "today."

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  • 2

    Interview: Oct 17th, 1994

    Daniel Rouk

    He mentioned the height of all the characters. Erica wrote those down. Basically repeated PNH's account of why the colors of the covers are always different.

    Robert Jordan

    The Old Tongue is a mix of Gaelic, Russian, Spanish, Japanese. A lot of different sources that are not traditionally used to make up fake languages. He has only a few phrases and a few small guides on usage written down.

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  • 3

    Interview: Oct 11th, 2005

    Robert Jordan

    He noted that all of the Forsaken's Old Tongue adopted names would be translated in the Encyclopedia if not before.

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  • 4

    Interview: Oct 20th, 1994

    Robert Jordan

    Jordan discussed several spin-offs from the books. He mentioned an "Illustrated Guide the Wheel of Time" (like the one they did for Pern). When asked about Role Playing Games he said he was in contact with Wizards of the Coast (makers of the popular Magic card game. Are we in for Daes Dae'mar: the Deckmaster Game of Games?), and he was approached with an offer for an AD&D [Advanced Dungeons and Dragons] module (this raises interesting questions). The term "module" has been replaced by "adventure" and "supplement". Did Jordan dabble in RPGs ten years ago and preserve obsolete terms, or was he approached by an old time TSR [creators of Dungeons and Dragons] rep who lapsed into the "old tongue"? Also, was the word used to mean an adventure (the most common use of module) or a full world like Darksun or Forgotten Realms?

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  • 5

    Interview: Oct 22nd, 1994

    David Wren Hardin

    Did the Ajahs exist in the Age of Legends?

    Robert Jordan

    No, they were created a few hundred years in the aftermath of the Breaking.

    Footnote

    BWB 9:

    Almost nothing is known about the organization of Aes Sedai during the Age of Legends, but it is generally accepted that ajah played an important part, though apparently they were nothing like the present-day Ajah. In the surviving twenty-three consecutive pages of a dictionary from circa 50 AB, ajah, in the Old Tongue, is defined as “an informal and temporary group of people gathered together for a common purpose or goal, or by a common set of beliefs.” In thirty-one pages all in the same hand, located in the Royal Library in Cairhien, which appear to be random survivors of a larger manuscript reliably dated from the same period, the organization of Aes Sedai in the Age of Legends, or perhaps their manner of functioning, is described as “a vast sea of ajah (note: word deliberately left untranslated), all constantly shrinking, growing, dividing, combining, melting away only to be reborn in some new guise and begin the process once more.” In the first centuries after the Breaking, the nature of ajah or Ajah changed. We cannot be sure exactly when the change occurred, but another dictionary (circa 200 AB; 219 surviving random pages) defines Ajah as “a sisterhood of Aes Sedai,” and no lowercase form is listed.

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  • 6

    Interview: 2010

    Stephan van Velzen (28 July 2010)

    Are you going to point all the hints out in more detail after A Memory of Light? Or am I being a lazy fan now? :P

    Brandon Sanderson (28 July 2010)

    I will be much more free of tongue then.

    Jeff Edde

    When WoT series is finished, will you feel more inclined to share WoT details that didn't make it to the books?

    Brandon Sanderson

    Yes, I will.

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  • 7

    Interview: 2011

    Twitter 2011 (WoT) (Verbatim)

    Brandon Sanderson (6 January 2011)

    At the 35% mark we have Mat speaking the Old Tongue for the first time, books ahead of him getting memories stuck in his head.

    BRANDON SANDERSON

    I've always found this a very curious event. Of the five Two Riversers, Mat's powers are the most subtly foreshadowed in the book.

    BRANDON SANDERSON

    Unless you count the short exchange between Lan and Perrin about wolves in a much earlier chapter.

    KRIT PETTY

    I thought that Mat's Old Tongue was a small way of RJ letting you think maybe Mat was the important one, not Rand.

    BRANDON SANDERSON

    Yes, I think you're right on that count. It was certainly meant to make us think.

    LEE DAVIS

    The speaking the Old Tongue is from his bloodline though, not his memories in that case, isn't it?

    BRANDON SANDERSON

    Yes, but it's still foreshadowing. He's the one who does it, not the others.

    SLEEPINGHOUR

    In The Eye of the World, is Mat remembering the Old Tongue from his own past life or from his ancestors?

    TEREZ

    Good question. He seems to have confirmed Old Blood for the Old Tongue, but the Aemon memory?

    FELIX PAX

    That's what my belief is, Aemon. Mat Cauthon is the reborn soul of Aemon. Aemon's Old Tongue.

    BRANDON SANDERSON

    It isn't made clear. It could be either. The implication is his bloodline.

    BRANDON SANDERSON

    The Aemon connection is certainly implied strongly.

    BRANDON SANDERSON (7 JANUARY)

    "A metal tower?" Rand said. "I'll bet there's treasure inside," Mat said. "A thing like that must have been made to protect something..."

    BRANDON SANDERSON

    This is the start of Mat acting tainted, which always makes me sad. It will be a while before I can read him as himself again.

    BRANDON SANDERSON

    First time one of the boys thinks, "I wish [insert other boy] were here. He knows what to say to women" happens at the 48% mark.

    BRANDON SANDERSON (10 JANUARY)

    I love that in the scene in Four Kings, the fact that the innkeeper is thin seems almost as ill an omen as a flock of ravens.

    BRANDON SANDERSON

    I wonder if Mat wearing the scarf around his head here is foreshadowing intentionally, or by coincidence, of the scarf on his neck.

    BRANDON SANDERSON

    Either way, there's some other strong foreshadowing there of events in Towers of Midnight, though I won't say specifics to avoid spoilers.

    ADAM DOWARD

    I've been wondering for ages is Mat going to wear an eye patch? Or will he wear a strip of cloth like Gemmel's Grymauch?

    BRANDON SANDERSON

    RAFO.

    BRANDON SANDERSON

    Not sure what I think of the "start chapter, flashback to what has happened since last chapter" narrative style RJ prefers here.

    BRANDON SANDERSON

    I don't think he does it as much later. In these first books, he seems more worried about characters going chronologically off of each other.

    BRANDON SANDERSON

    Note that I do like flashbacks, and think that Chapter 33 is interesting structurally. I don't know if it fits just right, though.

    BRANDON SANDERSON

    A good point: Some note that the erratic timeline here does help reinforce the sense of sickness from Rand and Mat's growing paranoia.

    BRANDON SANDERSON

    Also, it's fun that Mat is getting paranoid and crazy because of the dagger—except when he's thinking about food or a nice bed.

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  • 8

    Interview: Nov 21st, 1994

    Robert Jordan

    Dear Bruce et al.,

    Your questions are complex, or at least their answers are, and I'm afraid that the time I put into answering letters is time not put into writing, but I will try to answer you. Though I suspect not as fully as you would like. (I have 60 letters to answer today.)

    What language is the Old Tongue based on? Gaelic, Russian, Spanish, Chinese, Japanese, Arabic and some additions of my own—bridging material, if you will. Grammar and syntax are a blending of English, German and Chinese, with some influences from a set of African languages, read about long ago and all but the oddities of structure long since forgotten. There are inverted constructions, for example (as in Mordero dagain pas duente cuebiyar!—literally, "Death fear none holds my heart!") and places where the article is omitted, especially where the word is a title or has gained enough importance to now incorporate the article; the absence of article indicates that it is the important or special meaning of the word that is intended. Though even then, it is not a hard and fast rule; the same inconsistencies of English are incorporated here. I am attempting to create a language which has grown, not one which was made.

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  • 9

    Interview: Nov 21st, 1994

    Robert Jordan

    Ye means "I." He is "sin," she is "sar," you is "asa," and it is "aso."

    One of the difficulties is context and flexibility: for example, al can mean "the" or "of the." The word cuebiyar can mean simply "heart," or "my heart," or when capitalized, "the heart" as in the heart of a people or nation. The word moridin means "grave" or "tomb," but when capitalized it means "the grave," standing for "death." It is intended to be a language of subtlety, where the meanings of words can change to a great extent according to context. Remember Moiraine's comments on the difficulty of translation.

    The Fourth Age titles are not Old Tongue, though influenced by it. Some common names are from the Old Tongue, and some aren't. Sorry I can't go into more detail, but we're talking a treatise.

    Well. I am going to have to cut this off, now. Thanks for writing. Keep me posted on your deductions. One of these days, maybe I'll have time to give congratulations on the hits and point out the misses. One clue to some: sometimes when words are combined and the end of the first word is the same as the beginning of the second, they overlap.

    With best wishes, I am,

    Etc, etc.

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  • 10

    Interview: Jun 16th, 1995

    Robert Jordan

    He didn't give any conclusive answer to the Two Rivers channeling paradox, but he noted that many strange occurrences come from there, like inherent ability to speak the Old Tongue under stress.

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  • 11

    Interview: Jun 16th, 1995

    Robert Jordan

    The concept of the unified language he basically explained as there had been a single language in use (the Old Tongue), and the writing and printing of books continued throughout the Breaking, albeit in a very limited extent. The written word introduced a very large conserving factor in the language-change mechanism.

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  • 12

    Interview: Jun 26th, 1996

    Compuserve Chat (Verbatim)

    Scott Robertson

    Mr Jordan, I was wondering where you came up with the "old language" and the Aiel language? Are there preset rules to them and it is a functioning language? Or do you just have a set of words that you devised and insert when needed?

    Robert Jordan

    It's a functioning language in that I have developed a basic grammar and syntax, and have a vocabulary list which I have devised, some from Gaelic of course, but from languages less often used...Russian, Arabic, Chinese, Japanese. I try to follow these rules that I've set up, but occasionally I realize I have to invent a new rule because I'm doing something I've never done before. But it all follows the grammar I've devised. As far as the Aiel that I've devised as a culture, they have bits of Apache, bits of Bedouin, bits that are simply mine.

    Footnote

    The Aiel do not have their own language, but they do use some Old Tongue words that have fallen out of use on the other side of the Dragonwall.

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  • 13

    Interview: Aug 25th, 1996

    Greebs

    Yeah...What about the linguistic similarity of the Old Tongue and the New Tongue? It seems there is remarkably little drift in the Seanchan dialect.

    Robert Jordan

    [Either on purpose or by accident misunderstands my question and gives the standard "Well you must understand that I've translated the New Tongue into English" answer.]

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  • 14

    Interview: Nov 11th, 1997

    Joel from Phoenix, AZ

    Is there a complete language of the Old Tongue, and if so how long did it take you to develop it?

    Robert Jordan

    There are basic 880 some words—maybe 900. I got a list of what is considered basic English—which are the 800 odd words of a basic English vocabulary. Removed the words that were of no use in the context of my world. Came up with words in the Old Tongue in each of those English words and then added those words that did have a specific context in my world.

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  • 15

    Interview: Nov 11th, 1997

    Sam from Sacramento

    When it says at the end of The Fires of Heaven "death took him," in Asmodean's last scene, do you mean that he died? There has been much speculation as to whether or not "death" refers to Moridin, whose name in the Old Tongue means "death." Many think that Moridin's second Mindtrap is for Asmodean, but "death" was not capitalized in the scene where Asmodean made his last appearance. Can you tell me whether or not he was taken by Moridin?

    Robert Jordan

    Asmodean went for the long jump in that scene.

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  • 16

    Interview: Oct 19th, 1998

    Mark Ferguson from Edmonton, Alberta

    First, I'd like to thank you for your incredible Wheel of Time series. It's given me incredible reading enjoyment as well as given me the opportunity to build Wheel of Time areas on an online internet game, a MUD [Multiple User Domain]. My question is when was the transition period between the Old Tongue and the new tongue? I assumed it was after the Breaking, but many of Mat's memories still have the Old Tongue in them, and they were long after. When was the change, and what caused it?

    Robert Jordan

    I have gone into this in some depth in other places, but basically after the Breaking, the primary language was still what is called the Old Tongue. In the period between the Breaking and the Trolloc Wars, what would become the language spoken today began to develop as a common or vulgar tongue. During the period between the Trolloc Wars and the War of the Hundred Years, that vulgar tongue supplanted the Old Tongue as the usual or everyday mode of speech, and the Old Tongue regressed to being more and more something of scholars. At the time of Artur Hawkwing, anyone who was educated, whether noble or commoner, could speak and write the Old Tongue, but in everyday life, most people used something very much like what is spoken today. And it was the simple swamp.

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  • 17

    Interview: Nov 11th, 2000

    Rune from Dragonmount

    Do you have a Languages education? Where did you get the idea for the Old Tongue?

    Robert Jordan

    Well, I got the idea for the Old Tongue simply because the core beginnings of this story lie 3000 years in the past—and I've never heard of a language remaining unchanged over that length of time. We could not understand the English spoken by an Englishman from 1000 years ago, and we'd have difficulty understanding him from 500 years ago, and the same holds true for a Frenchman with his language or a German with his.

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  • 18

    Interview: May, 2001

    Sorilea

    Hey everyone...

    WARNING... The following contains answers to questions that you may not want to read. Proceed at you own risk....

    Well I got to meet RJ Friday & Saturday at the Marcon Science Fiction Convention in Columbus Ohio. *Sorilea sticks out her tongue to everyone who said that RJ was just a stoggedy old man who wouldn't talk to me.* He was very charming, and even more important, answered some questions that I thought were very interesting. Some of these were questions that some of you had asked when Dark Asha'man posted a question for non-RAFO questions...

  • 19

    Interview: Apr 5th, 2001

    Aan'allein

    Sitting in the back of the room, my memo-recorder didn't pick up very much, but the following is what I can make out of it and remember as answers to a question about how he created the Old Tongue (always a topic some people are very interested in):

    Robert Jordan

    —There is no simple standard way to make plurals, to shift the irregular verb, it's all adapted because of the merging of different languages. (Just like around 900 AD when the Saxons encountered the Danes and began creating a Lingua Franca, so the Old Tongue is also supposed to have been created by mixing different languages, and thus has a lot of the same sort of irregularities as English has.)

    —He started with that list of 880 English words with which you should be able to manage in 95% of English conversations, removed what he found unnecessary and added others he needed.

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  • 20

    Interview: Apr 8th, 2001

    Question

    A question about how he formed the Old Tongue.

    Robert Jordan

    The actual words are based on many words. I have used Turkish, Arabic, Russian, Chinese, Japanese, and for a hint of the familiar, I used a little Gaelic, too. Because fantasy languages always have Gaelic in them. That's just the way it goes. But I made deliberately the grammar and structure complicated. [the Saxons and Danes story again] ... English is supposed to be the most difficult language to learn in the world as a second language. I think that that is pride speaking, but just the same...yes, well, "my language is harder than your language." I've been told it's true though, but whether it is, I don't know. ... [he once tried learning Cantonese] ... I'll tell you, there are eight tones in Cantonese. Mandarin isn't too bad, there are only four tones there, but you've got eight tones in Cantonese. And there are others that can get twelve or better in other dialects. You can as well just forget about it, unless you grew up yodeling from the cradle.

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  • 21

    Interview: Apr, 2003

    Budapest Q&A (Verbatim)

    Question

    English has completely different [incomprehensible] vocabulary over the last couple of hundred years.

    Robert Jordan

    Oh sure, more than the last couple of hundred years English...

    Question

    [interrupts]: I mean, as taught(?) before as the last couple of hundred years as opposed to the Westlands. I mean, everybody spoke the Old Tongue.

    Robert Jordan

    English has absorbed words from other languages as recently as the last ten years.

    Question

    Well of course.

    Robert Jordan

    [interrupts] American English in particular is a sponge. The thing is that most Americans think they know no foreign words whatsoever. But if you sit them down with a test, you find that the average American knows twenty or thirty words of French, twenty or thirty words of German or, you know, maybe as many as fifty from Spanish—more than that from Spanish; probably knows close to a hundred words from Spanish—and between fifty and a hundred from Italian, and from other languages as well, because they have been absorbed into American English.

    Question

    But in the Wheel of Time world, you don’t have this flux of languages; you don't actually have many different languages. Even the Seanchan speak the same language.

    Robert Jordan

    [interrupts: And I set that up deliberately, because, you know, one of the things about a world that believes in a circular nature of time, is that they believe that there is no real possibility of change. It is one of the things that burden India, as you might know. Whatever I do to affect change...the Wheel of Time—which is as Hindu concept (from others as well, but the Hindus believe in that)—whatever I do to affect change, the Wheel will turn and all things will return to being as they are now. Therefore my effort to affect change is essentially useless. The great gift to the world of the ancient Greeks is that they were the FIRST culture to conceive of time as being linear, which allows for change. I can change things, I can change the future, and it will not return to what it is now, because time passes on; it does not double back. So I have a Wheel of Time world, where there is a belief in reincarnation and a belief that things will return to, not exactly the way they are now, but essentially as if there were two tapestries and you look at them from across the room, and they look identical, and it’s only when you get close that you can see the differences.

    I began to think also of the periods involved. Do you know why the mountains in this world are so incredibly rugged? Why there’s so few passes? These mountains are only a little over three thousand years old. There are no mountains in the world that are only three thousand years old. There are no mountains in the world that don’t have hundreds of thousands—millions—of years of wind and water erosion to have worn them down. THESE are mountains in their infancy. And in this world, be have had three distinct one thousand year periods, roughly from the Breaking of the World to the Trolloc Wars, from the Trolloc Wars to the War of the Hundred Years, from the War of the Hundred Years to today. Not quite a thousand years in each case, some were perhaps a little more. But in each case, what has happened is, you have had a mixing of the population during the turbulence—the nations breaking apart—a production of a lingua franca for these people to communicate with one another, and not enough time for that lingua degenerate into distinct languages which are no longer intelligible to one another.

    And that is enough so that the people of today could not understand the people from before the Trolloc Wars, who were speaking something very close to the Old Tongue, if not the Old Tongue itself. But they can understand the people of the Seanchan, who are speaking the language of Arthur Hawkwing’s time, which had not enough time to break down into separate languages, you see. And any effects of it breaking down into separate languages was modified by their getting together, so what’s happened over the space of just a thousand years is: they think each other have strong accents. It’s like I’m speaking to somebody who speaks English and he’s Jamaican, and I don’t understand him very easily, or he’s Nigerian. I don’t understand him very easily, and he’s a native English speaker—we can understand one another; it’s not easy, but we understand one another.

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  • 22

    Interview: Apr, 2003

    Budapest Q&A (Verbatim)

    Question

    Did [Seanchan natives before Luthair] speak the same language?

    Robert Jordan

    The people there did not. But the people there...this is like an acquisition. This is sort of like what the Han did: when the Han conquered China, there were many languages in China, as there still are. Because Mandarin is one language and Cantonese is another. They use the same ideograms, because the Han said: “You may speak any language you wish to use, but you will use our alphabet, our ideograms.” And it is as if the French said poisson, you say whatever you say for “fish”, but all of you spelled it F-I-S-H, in English letters. The French spelled it F-I-S-H, in English letters and said poisson and that’s what they wrote when they said poisson. And that’s what you wrote: you would say whatever the Hungarian word is for “fish” but if you wrote it, you would write F-I-S-H in the English letters. And with the Consolidation, culturally the people of that conquering army had been much more absorbed than they were. Culturally they have little left of the culture that they brought with them. But their language was imposed: they imposed the language they brought with them. I’ve thought about it a little bit and I think there was, because of that history, probably more languages than one. The languages would have had more time to drift and more incentive to split apart than they did on the [Randland] continent, as I postulated its history, but those languages were wiped out.

    Question

    That’s what happened in India, by the way.

    Robert Jordan

    Yes. Those languages [on the Seanchan continent] were wiped out and the language that remains is essentially the language that was spoken by Arthur Hawkwing. But, because, as I say, of the things that happened after Hawkwing’s death: the shifting around of populations, mixing and blending of populations from different parts of the continent, and a thousand years of growth, and no time for that language to change a great deal. Also the one thing that has survived, which helped, I think: printing presses were one for the first things rediscovered, you might say, after the Breaking. People began printing books very shortly after the Breaking—I mean very shortly—as soon as people were setting up cities, there were people who had book presses going, and it’s an interesting thing: I can read Shakespeare and understand 98, 99 percent of the words and language. If you went back the same length of time between me and Shakespeare to behind him, he could not have understood what those people were saying, he could not have read what they wrote. Because the English language had changed in pronunciation, in the way the spelling was, in the way the letters were written, everything.

    What happened simultaneously then: it wasn’t as I’ve heard postulated that Shakespeare was so beautiful and so wonderful that he froze the English language. What happened was: the printing press came into common use and suddenly the language stopped changing as rapidly. It still changed, but you would take me back to Elizabethan times and I would have a hard time understanding the accents, but eventually I would work into understanding what would sound to me like strangely accented English, but pretty recognizably English for most, at least for London and the south of England. So we’ve got printing presses, and so in relatively short periods of time, the language is largely unchanged, not completely but largely, in each thousand year segment. Although over the three thousand year segment it has diverged from the Old Tongue, which you must learn to be an educated man, to what people speak now, and most people do not speak the Old Tongue and can not understand the Old Tongue. A thousand years back, you’ve got Arthur Hawkwing, and that’s the language that the Seanchan speak. And these people can understand it, they only think “You’ve got a funny accent, you speak too fast, and you speak too slow, and it’s all slurred.”

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  • 23

    Interview: Apr, 2003

    Budapest Q&A (Verbatim)

    Question

    Is the Old Tongue entirely alien to modern speakers?

    Robert Jordan

    I'm sorry?

    Question

    I know it sounds alien, but don't they recognize even a couple of words or word?

    Robert Jordan

    No, not really. You know, scholars would.

    Question

    How come, a language, over three thousand years—isn't that right?—three thousand years of the books' story, everyone spoke the Old Tongue didn't they? So over three thousand years the language has managed to change so much that you can't even understand a word or a phrase of that language. But over one thousand years, on the other hand, it has changed so little that you basically understand it as an accent.

    Robert Jordan

    If you consider English. You wouldn't understand Old English. You couldn't even read it. You could read the letters, probably. I couldn't; I've seen manuscripts. But printing does stabilize a language, so there is some shift, because, say, a thousand years, a little bit of shift. See, what I have got here, look at these points. This is the Breaking, the Trolloc Wars, the War of the Hundred years and now. Okay. From here to here the language changes somewhat, and from here to here the language changes somewhat. Now, a person here, from this period, right here, just before the War of the Hundred Years could understand somewhat the Old Tongue, but would think "he's got a strange accent". He's got a strange way of expressing himself, his grammar is strange. He puts the words together oddly and he's got a very strange accent, but that's the extend of it. It might be that the gap is not all the way from here to there, but maybe from here to here, that he thinks "I should understand this, but I don't quite, I don't quite understand" and a guy here, listening to this language, says "Yeah, I can understand him. He's got a funny accent, but I understand him." So okay, from here to here, he says, the guy here listens to someone from here speaking and he says "he's got a funny accent, but I understand him". A guy from here listening to someone from this point says "you know, I understand some of that, but it's not quite, you know" and from here to here he says "yeah, I almost think I should understand that, but I can't make out a word" and from here to here he says "What?" I know that the intervals and the true progression of a language are never that smooth, and that's one reason why I have never tried to put it in the books as exactly where these points of commonality existed and where the points shifted from being "I understand him with an effort" to "I think I should be able to understand this but I can't" to "what the hell is he saying, is he talking, I don't know this".

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  • 24

    Interview: Jul 22nd, 2004

    Jason Denzel

    We talked about the Forsaken and how they know how to speak the current language.

    Robert Jordan

    He said that if you can speak the Old Tongue, learning to understand and speak the new "Vulgar" tongue is not that difficult. When the Forsaken are together having their meetings, they speak in the Old Tongue. (RJ: "But I translate it for you guys.")

    Another very interesting note: Modern-day Sharans speak a form of the Old Tongue in their everyday speech. The exact analogy he used was a Roman landing in modern day Italy and having to figure out Italian from Latin. For someone extremely bright and well-educated like the Forsaken it wouldn't be that hard. This is also consistent with information in the books. The Old Tongue is more complex, so learning the Vulgar from Old Tongue is much easier than vice versa. It also gibes with Graendal's thought while she is writing a letter that the modern script was so easy to learn and duplicate.

    He also went on at length about his thoughts on language drift and the impact of the printing press on continuity.

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  • 25

    Interview: Sep 3rd, 2005

    Question

    Why is it that the Chosen and Lews Therin speak a language that Rand and everyone else can understand?

    Robert Jordan

    Because it is a very simple language to learn. When they Chosen are among themselves they are not speaking the language of the current time, they are speaking the Old Tongue, which I happily translate for you, so you don't have to struggle through it. But it is very much the same as Graendal thinking how easy it is to forge things in this time. The lettering script is simplified. But things managed to hang on for a certain extent. Printing presses for example were one of the things that managed never quite to be wiped out completely. Printing started up again, even a few times during the Breaking people managed to get printing presses going, and once the Breaking was over, printing was one of the first trades to get going, you might call it the first higher trade to get going.

    Tags

  • 26

    Interview: Sep 4th, 2005

    Question

    You have said you are going to keep the series to twelve books. Since we are on eleven, what comes after book twelve, what do you plan to do after that?

    Robert Jordan

    At some point I will do the two prequel novels that I talked about, the two other prequel novels, besides New Spring. But, primarily I will give Harriet a small hand on a project she has signed a contract for; she's gonna do an encyclopedia of the Wheel of Time which will have all of the characters, all of the terms, all of the invented words, and roughly and a roughly eight hundred fifty to nine hundred vocabulary in the Old Tongue.

    What I will be starting with is a trilogy called Infinity of Heaven, which will be a different universe, different world, different set of rules, different cultures. One culture that you meet eventually will be as close to being inside the Seanchan empire as you can come, but this culture is even more stratified both vertically and horizontally than the Seanchan empire, much more like ancient Japan truly was, or really like medieval Japan truly was.

    It's funny I talked about a book I'm gonna call Shipwrecked, some of you may have heard of that. Shipwrecked is actually the second volume of the Infinity of Heaven trilogy, because I realized I needed more of the setup and as I did more of the setup I realized I had another novel here. It could not be the first part of the novel to do that, it had to be this was a novel in itself. So in these things I had thought ten or twelve years ago, would be a trilogy, has become two trilogies, but I intend to try and hold it to that very tightly.

    Question

    I guess I have two questions after hearing that. One is, are we going to see a full version of the prophecies of the Dragon in the encyclopedia?

    Robert Jordan

    No, the prophecies would be a volume in themselves, and I don't think I am going to go into that. I will admit I have not written out a complete set of the prophecies. I have the prophecies written out that I needed, but not the others.

    Tags

  • 27

    Interview: Sep 1st, 2005

    Jennifer Liang

    Sunday 9/4/05:

    Sunday began quietly with a book discussion group and the fan art panel. The art panel had low turn out due to being scheduled against Robert Jordan's final signing.

    However, things picked up again when we hosted a Q&A session with Robert Jordan and his wife. If you don’t know already, Harriet is the editor of the series. She is probably the only person who knows as much about the series, including background details, as he does. They are also very much in love with each other, even after all the years of living and working together. They pick on each other constantly.

    Harriet

    The big reveal of this session is that Harriet's next project, after she is done editing the next book in the series will be to take all of Jordan's background notes and edit them together into a complete "Wheel of Time Encyclopedia", with the complete Old Tongue dictionary, glossary of every term that appears in the books and character and setting information. Applause broke out when she said that. You can read another partial transcript here: http://p079.ezboard.com/ftheorylandfrm30.showMessage?topicID=6.topic

    Footnote

    A copy of the Theoryland transcript of the Q&A session is available here.

    Tags

  • 28

    Interview: Oct 2nd, 2005

    Robert Jordan

    For Infested Templar, two women linking have slightly less of saidar available to them than the two women would have individually. But it can be used much, much more precisely, and therefore more effectively, than they could manage working merely as partners. The reduction also occurs for men entering a circle. One man in a circle means that only the amount of saidin that he can handle, less the reduction for being in a circle, is available. Men can be much stronger than women in the pure quantity of the Power that they can channel, but on a practical level, women are much more deft in their weaving and that means the strongest possible woman can do just about anything that the strongest possible man could, and to the same degree.

    And finally, the Old Tongue is written in a script that has more letters than the English alphabet, some representing diphthongs. That script will be in the Encyclopedia that Harriet will do, along with 950 or so words of the Old Tongue derived from what is called Basic English, the 950 words necessary to carry on a understandable conversation. Some words I dropped as essentially unnecessary to the books—electricity, for example—while others—such as sword and names of birds and animals—I had to add. The total might come nearer 1000 words by now.

    Tags

  • 29

    Interview: Oct 5th, 2005

    Robert Jordan

    For Comet Sedai, no, Slayer didn't kill Laura Palmer. But Lanfear can tie a cherry stem into a knot with her tongue. In fact, she can tie it into a square knot. Or a bowline. Or.... Well, the list goes on too long.

    Yes, the Ayyad's eyes were popping, as well as those of damane in Seanchan.

    Anyone who can channel, to however small a degree, is vulnerable to the circle of 13 trick.

    Tags

  • 30

    Interview: Oct 5th, 2005

    Robert Jordan

    For kcf, again, we have never met anyone who has the Talent of emulating the effects of a ta'veren over a small area.

    I give my input on the design of the chapter icons whenever a new one seems needed, but Harriet actually decides where to place them, and I am happy to leave the job to her.

    Yes, Ingtar was seen at the Darkfriend Social.

    The Wheel creates ta'veren at need, making someone who is already alive one. You aren't born ta'veren. Can you imagine being around a ta'veren who is teething?

    It would be possible for a Darkfriend or Forsaken to be made ta'veren, but it seems unlikely. Ta'veren are part of the Wheel's self-correcting mechanism. When the Pattern seems to be drifting too quickly, and especially if it is in the wrong direction, one or more ta'veren are created. I can't really see how making a Darkfriend or Forsaken ta'veren would help with correcting the drift of the Pattern.

    Ta'veren can oppose one another, when their conflict is what the Wheel "sees" as the necessary corrective. And, no, ta'veren is not Old Tongue for Deus ex machina. It came out of musings on luck, charismatic leaders, and the theory of the indispensable man.

    Katerine escaped with the help of Darkfriends. Galina, who is much more closely watched by Wise Ones than Katerine was, would have little opportunity to use their help for an escape even if she wanted to, and she doesn't, not until she can get her hands on that rod. She'll put up with anything to get that.

    Anyone who can channel, however weakly, can see the glow of saidar and feel someone channel. For sul'dam who have been sul'dam for a time, some begin to be able to see what might be called a ghostly image of the flows. Others convince themselves that this is, of course, only imagination and manage to give themselves a block.

    Wow, you have a lot of questions. One more, and then I'm off to the next person.

    Someone who sees ta'veren sees them as glowing. The more strongly ta'veren, the brighter the glow. This is a Talent, and is something that only someone who can channel can do. While she was stilled, Siuan could not see ta'veren, nor could she have if she had been burned out.

    Tags

  • 31

    Interview: Oct 11th, 2005

    Question

    The next question was "How do you keep track of all the characters?"

    Robert Jordan

    He talked about his files, and said that he doesn't start out with huge files, just the basic outlines, but as the story grew so did the files and now he has a huge file database. He said that he is going to take these files and make an encyclopedia out of them. (He did not mention Harriet as being the author.) He talked a bit about the encyclopedia, saying it will include every invented term, character, place etc. It will also include a 1000 word Old Tongue dictionary. The same questioner then asked about the raw files and RJ said he wouldn't publish those, but he may give them to a university, "maybe my own".

    Tags

  • 32

    Interview: Dec 19th, 2005

    Robert Jordan

    For someone—Marigan, I think, but my notes are a little wonky right about here—the Crystal Throne is not the High seat of the Tamyrlin, none of the Forsaken were among the Nine Rods of Dominion, and the "Rods" were symbols of office.

    Mil Tesen was really just a peddler who happened to be in the right place to pass on news of Morgase's supposed death to Gawyn. Not everyone is somebody other than who they seem, you know.

    And finally, Da'concion means "the Chosen Ones" in the Old Tongue, which is used with more frequency among the Seanchan than among inhabitants of the eastern side of the Aryth Ocean.

    Tags

  • 33

    Interview: 2001

    Thus Spake the Creator (Paraphrased)

    Terez

    This is a collection of quotes that were organized by Raina (presumably an old rasfwrj person) some time in 2001. Most of the original sources for the quotes she collected were found online, so those quotes aren't included here. These are only the leftover quotes, and as a result we have no idea where they came from or when they were asked, unless there are clues in the text. Sometimes it's not entirely clear if consecutive paragraphs are from different reports or the same report. We are, however, always searching for these lost interviews, and when we find them, we'll delete the quotes from this collection. I'll include Raina's introductory comments below, along with a list of the categories, each of which links to a Google Doc containing a link to the original category and an annotated copy of the page's original contents, linking to known sources and highlighting lost sources, which are the ones included here. Raina also drew from these interviews for her collection (and those quotes are not included here):

    SOURCES

    Letter to Tom McCormick: December 1993
    Sense of Wonder interview: October 1994
    Compuserve chat: October 19, 1994
    AOL chat 1: October 21, 1994
    AOL chat 2: October 21, 1994
    Sci-fi Channel Interview: April 23, 1995
    East of the Sun Con�Karl Johan Nor�n: June 16, 1995
    East of the Sun Interview�Helena Lofgren: June 17, 1995
    Balticon XXX�Bill Garrett: April 5, 1996
    Balticon XXX�Pam Korda: April 6, 1996
    ACOS Signing Report�Brian Ritchie: June 21, 1996
    Compuserve chat: June 26, 1996
    AOL chat 1: June 27, 1996
    AOL chat 2: June 27, 1996
    ACOS Signing Report�Hawk: August 4, 1996
    ACOS Signing Report�Robert Watson: August 23, 1996
    ACOS Signing Report�Lara Beaton: August 23, 1996
    ACOS Signing Report�Greebs: August 25, 1996
    ACOS Signing Report�Erica Sadun: October 9, 1996
    ACOS Signing Report�Mike Lawson: October 12, 1996
    AOL chat: October 19, 1996
    DragonCon Sci-Fi Channel chat: June 28, 1997
    Barnes and Noble chat: November 11, 1997
    Waldenbooks Interview: October 1998
    Barnes and Noble chat: October 19, 1998
    TPOD Signing Report�Aaron Bergman: October 20, 1998
    TPOD Signing Report�Pam Basham: October 22, 1998
    TPOD Signing Report�Drew Gillmore: Octoer 24, 1998
    TPOD Signing Report�Justin Howell: October 24, 1998
    TPOD Signing Report�Chris Mullins: October 24, 1998
    TPOD Signing Report�Rick Moen: October 25, 1998
    TPOD Signing Report�Kevin Bartlett: October 29, 1998
    Sci-fi.com chat: November 1, 1998
    Amazon.com interview: November 6, 1998
    TPOD Signing Report�Matthew Hunter: November 14, 1998
    TPOD Signing Report�Michael Martin: November 15, 1998
    TPOD Signing Report�John Hamby: November 18, 1998
    TPOD Signing Report�Melinda Yin: November 18, 1998
    TPOD Signing Report�John Nowacki: November 20, 1998
    TPOD Signing Report�John Hamby: November 21, 1998
    TPOD Signing Report�Rachel K. Warren: November 21, 1998
    TPOD Signing Report�John Novak: November 21, 1998
    Brisbane Signing Report�Joel Gilmore: September 21, 1999
    Locus Magazine Interview: March 2000
    Orbit interview: October 2000
    Barnes and Noble chat: November 11, 2000
    WH Signing Report�Ryan R.: November 12, 2000
    Sci-fi.com chat: November 14, 2000
    CNN chat: December 12, 2000
    Author's Table Interview: 2001
    Leiden Signing Report�Aan'allein: April 2001
    Amsterdam Signing Report�Aan'allein: April 5, 2001
    Rotterdam Signing Report�Aan�allein: April 6, 2001
    Dromen and Demonen chat: April 6, 2001
    Elf Fantasy Fair�Aan'allein: April 7, 2001
    Elf Fantasy Fair�Aan'allein: April 8, 2001
    Interview with RJ�Kurafire: April 10, 2001
    Marcon Report�Sorilea: May 2001

    Raina

    Below are collected various Jordan questions and answers, and reports from interviews. Not all quotes are guaranteed to be here, although I try to be thorough, and in some cases I've deleted answers that repeat material more or less verbatim. They are organized into categories by topic, and some are in more than one category, so you shouldn't find it hard to find a quotation you're looking for. Try 'Miscellaneous' if none of the categories seem to fit. As for such categories as 'Sex and Sexuality' and 'Bela'�you asked the questions, I just sort them.

    And please stop asking who killed Asmodean or if Moiraine will be back. 'Read And Find Out' is already far too long!

    In several cases, the people who provided the quotes have included comments of their own on the questions or answers. As such, any interpretations of Jordan's words do not necessarily represent my personal opinion. A few comments were written by me, and they are in blue text and signed Like this�Raina. so you should have no trouble working out which is which.

    Robert Jordan Himself
    How long will the series be, how long will it take, and does he know the end?
    What if he dies before finishing it?
    How did the series originate?
    How does he go about writing the books?
    What are his sources and inspirations?
    What else has Jordan written?
    What else is in the Wheel of Time universe?
    What is he planning to write?
    Fan reaction to the books
    Spin-offs: movies and so forth
    The Wheel of Time game
    Fantasy as a genre
    Jordan and Tolkien
    Advice to aspiring writers
    Guide Art and Cover Art
    WoT versus reality
    Themes of the series
    What books does Jordan read?
    Timing of events in the series

    Workings of the Wheel
    Women and Men
    The One Power, the True Power, and channeling
    The Dragon
    The Heroes and the Horn
    Tel'aran'rhiod and other dreams
    The Age of Legends
    Is he his characters?
    Rand al'Thor
    Mat Cauthon
    Perrin Aybara
    Egwene al'Vere
    Nynaeve al'Meara/Mandragoran
    Moiraine Damodred
    Al'Lan Mandragoran
    Min Farshaw
    Elayne Trakand
    Aviendha
    Thom Merrilin
    Faile ni Bashere t'Aybara
    Berelain Paeron sur Paendrag
    Tam and Kari al'Thor
    Padan Fain
    The Daughter of the Nine Moons
    Birgitte and Gaidal Cain
    Verin Mathwin
    Cadsuane Melaidhrin
    Galad Damodred
    Sharina Melloy
    The Shadow
    The Black Ajah
    The Forsaken
    Shadar Logoth
    Slayer
    The White Tower
    The Black Tower
    Warders and the Bond
    The Aiel
    The Aelfinn and the Eelfinn
    The Oath Rod
    Language and the Old Tongue
    The Ogier
    Geography
    Theology
    Prophecy
    Blademasters
    Other Lands (Shara, Seanchan, the Land of the Madmen)
    Sex and Sexuality
    Bela
    Trivia
    Miscellaneous
    Read and Find Out!
    Questions for the future
    Raina's Hold

  • 34

    Interview: Apr 13th, 2008

    Brandon Sanderson

    First, I'll be teaching at BYU's Writers for Young Readers conference this summer. They suggested I post a link, and I thought it would be a good idea. I think my session is filled up, but there might be other authors you can work with. Conferences like this one are expensive, but can really give you a leg up if you're wanting to break into publishing.

    Secondly, Amazon has put up the cover art for Mistborn 3, which is nifty. It's still odd that the promotional Mistborn 1 and Mistborn 2 paperbacks still have no cover art posted, but whatever.

    Finally, here is an amusing Librarian reaction to Alcatraz. If you haven't read the book, then you might want to know that this is tongue in cheek. All part of the joke. Which reminds me, I really need to get around to posting some of the Alcatraz concept art I commissioned from the talented Shawn Boyles. I keep intending to use these things on EvilLibrarians.com, which I own, but I never can find the time. Here's one he did of Alcatraz. alcatraz_color

    Footnote

    The Alcatraz image is no longer available.

    Tags

  • 35

    Interview: Nov 8th, 2008

    Alex C. Telander

    And you also have a children's series. How different is it to write for children?

    Brandon Sanderson

    It is . . . it's very different. My children's series was written on a whim. I wanted to try something that was very different from my style because I wanted to take a break. I wanted to try something new. It came in between Mistborn 2 and 3. After I'd written the first two books straight through, I realized I needed a break to cleanse my palate, otherwise I'd be burned out on Mistborn 3 when I started it. And didn't want to be burned out, I wanted to be excited and energetic about it. And so, I took a break and wrote a short, several hundred page book about a kid who discovers that librarians rule the world. And it was for fun, I wasn't doing it for market reasons. People say, why did you decide to publish in children's? I decided to publish in children's because I wrote a book that I loved and said, hey I could actually publish this. I'm an author now, I do this for a living. So I sent it to my agent, and he said he really just loved it. And so, he took it to book auction, and it sold actually for a ridiculous amount of money. But it was done just for the fun of it.

    And so, when I'm writing for children, I do not write down. I don't think that's appropriate. But I do change my style. I keep things more snappy. And you know, children are more forgiving. Epic fantasy has to be very internally consistent and very logical, and I love that about the genre. But children don't care if you genre bend a little bit more, or if you're a little bit more tongue-in-cheek. And, I was able to write a book that just didn't take itself quite so seriously. The Alcatraz books are funny. I think they're hilarious, they're meant to be fun. It's my take on one of my very rule-based magic systems done in a light-hearted way. It's about people who have really ridiculous magical powers, like Alcatraz's grandfather. His magical superpower is the ability to arrive late to appointments. And his cousin's magically good at tripping. And it's about them taking these magic abilities and twisting them, and using them in cool ways. Like his grandpa will arrive late to bullets, and his cousin will trip to make really great distractions, and these sorts of things. It's very fun. But the difference is, more light-heated, more fast-paced.

    Tags

  • 36

    Interview: 2010

    Terez

    Here is an alphabetical list of names chosen, with details if given. They will be linked to EWOT pages when those are updated after the A Memory of Light comes out. The main auction for the speaking part was won by Sandip Mehta.

    Eric Allen (In the Tower Guard; gets sworn at by someone who swears a lot. Perhaps Uno?)
    Jesamyn Angelica
    Charlie Bachelder (Aiel fighting in Last Battle)
    Johnnie Lee Barrington, Jr. (Deathwatch Guard)
    Paul Benish (Malkieri)
    Melissa Bergevin
    Jonathan Brockelman (Whitecloak)
    Joff Brown (a city)
    Brandon Bryant (Band of the Red Hand)
    Jonathan Burt (Whitecloak)
    Helen Cousins
    Jay Dauro (Deathwatch Guard)
    Shaun Davis
    Gavin Doyle
    Natalie Doyle
    Daniel Egonsson
    Kevin Fanshier
    Jacob Figler (Band of the Red Hand)
    Craig Foster (Borderlander; does not live long.)
    Filis [Emery?] (Green Ajah)
    Shani Gamble
    [?] Gilbert, son of Chris
    Courtney Gliszczynski (First name used.)
    Cindy Goodman
    Michael Gonzalez
    Mione Haak
    Laura Hayden
    Laura Hepburn
    Hugh Hill
    Andrew Holcombe
    Steven Karam
    Rion Kinosaki
    Einar Laastad Kjosavik (Asha'man who is balefired by a Forsaken.)
    Sean Little
    Nils Loodin (Aiel scout)
    Glen MacDonald (Deathwatch Guard)
    Sandip Mehta
    Mikayla Micomonaco (damane)
    Robert Moreau
    Bach Payson (Borderlander; does not live long.)
    Eric Peters
    Eleanor Pettener (Wise One, or perhaps an apprentice.)
    Alex Prescott
    Bryan Ragon (Borderlander; does not live long; dies well.)
    Sally Rankin
    Kimberly Readdy (Wise One, or perhaps an apprentice.)
    Kris Ring (Seanchan Blood)
    Anna Roberts
    Nikhil Rode (Aiel scout)
    Robert Rose
    Angela Ryddingwood
    Maureen Sampson (Aes Sedai)
    San D'ma Shadar (Group referenced by Mat which fought in a historic battle; translates to "Slayers of the Shadow".)
    Michael Sarcone (Darkfriend, on request.)
    Nathan Sawyer
    Eric Silva
    Shane Spears (Aiel, of course.)
    Leisha Springer
    Margaret St. John (Maiden name [not tweeted] will be a Seanchan general.)
    Caitlin Sullivan (White Ajah)
    Roger Trask (Aiel fighting in Last Battle)
    Lindsey Turnbow (wolf)
    Neil Tweed (Some woods, named after the original owners.)
    Pia Maria Vaajakallio (Aes Sedai)
    Kurt Wagoner (Two Rivers man)
    Eyal Weinstock
    Jordan White (wolf)
    Shiv Whorra
    Harm Wieringa
    Savannah Rose Young (Seanchan general)
    Jason Zigmont

    Brandon Sanderson (5 October 2011)

    Do you want your name to appear in A Memory of Light? Click here.

    SHAWN J

    Not sure if you wish to defend yourself: http://www.reddit.com...

    BRANDON SANDERSON

    Thanks for the heads up.

    PETER AZP

    "The auction will be through eBay and 10% of the proceeds will go to the Mayo Clinic" Wait, 10%? What about to the other 90?

    BRANDON SANDERSON

    To Jordancon, a non-profit. (It's all there in the blog post.)

    BRANDON SANDERSON

    On the A Memory of Light name drive: this is PRIMARILY a fund raiser for Jordancon, which Harriet and I believe deserves support.

    BRANDON SANDERSON

    For a while, I've been wanting to do this to help Jordancon make ends meet, as I think it is a great way to honor RJ's name and legacy.

    BRANDON SANDERSON

    Please note that Jordancon HAS applied to be tax-exempt as a 501(c)3. This means you will probably be able to deduct your donations.

    BRANDON SANDERSON (10 OCTOBER)

    Cindy Goodman, just drew your name to be in A Memory of Light.

    BRANDON SANDERSON

    Jason Zigmont, I just used (a variation of) your name in A Memory of Light. Details, for those confused, here.

    BRANDON SANDERSON

    Glen MacDonald, welcome to the Deathwatch Guard. (Explanation)

    BRANDON SANDERSON (13 OCTOBER)

    Running on too little sleep; I'm having trouble getting A Memory of Light written on the plane. Instead, I'm going to start filling in name placeholders.

    BRANDON SANDERSON

    Shane Spears, you are first. Yes, you will be Aiel. There's really no way I could pass that up. Steven Karam, you are in A Memory of Light too.

    AUSTIN MOORE

    So everyone who donates gets their name in? Or are you just selecting a few?

    BRANDON SANDERSON

    Selecting semi-randomly, I'm afraid. Everyone is in 'spiritually' but I won't have enough names for all.

    BRANDON SANDERSON

    Eric Peters, you're in. Kimberly Readdy, you are wise, are you not?

    ALCHEMIST

    Can you say approximately how many names you will be needing? just so i know just how small my chance is... :)

    BRANDON SANDERSON

    Maybe a hundred.

    NATHAN SMITH

    What do you have in as placeholders?

    BRANDON SANDERSON

    I use "***" to placehold in books, sometimes with one letter at the end to keep different placeheld people straight.

    BRANDON SANDERSON

    Eleanor Pettener, you are soon to be wise. Laura Hayden, you're in. Shani Gamble, are you a boy or a girl? Name websites can't decide.

    JAMES STARKE

    Have you started drawing names for the JordanCon auction? Also, there's no clear date as to when the drawing really "ends" ...

    BRANDON SANDERSON

    Yes, this is for the JordanCon deal. I'm pretty sure that the first cutoff is right. Anyone before then has a chance.

    SHIVAM BHATT

    How do you decide which names you're going to pick? is it based on sound or?

    BRANDON SANDERSON

    Sometimes, I draw. Others, I just scroll, then stop at a name and work on it a moment. See if it works.

    FANTASY AUTHOR

    (waving hand wildly) How about dropping in a fellow author? Granted, an indie author, but an epic fantasy indie author.

    BRANDON SANDERSON

    Nothing wrong with being indie. But, in this case, I'm only using people who donated.

    BRANDON SANDERSON

    For all still wondering what's up with these names, and how to join in the fun, here is that link again.

    CHAD ROSENTHAL

    Is there a spot where you post the names? Just in case we miss the tweets?

    BRANDON SANDERSON

    I will try to post them all at the end.

    ZACAJ

    What are the chances of a name getting used if you donate?

    BRANDON SANDERSON

    Hard to say. It will depend on number of donators and number of names needed. Between 1% and 10% maybe?

    BRANDON SANDERSON (18 OCTOBER)

    Eric Allen, you're in the Tower Guard. Someone just swore at you, but he swears at lots of people. (How to get in)

    BRANDON SANDERSON

    Einar Laastad Kjosavik, the good news is you're an Asha'man. The bad news is that one of the Forsaken just balefired you.

    SELENE O'ROURKE

    So if half my name is a Forsaken's alias, and the other half is an Aiel chief, should I even think about going on the list?

    BRANDON SANDERSON

    Ha. Well, I do change most of the names, so anything can theoretically be used.

    JALIL JAMES

    Hey man, so If we donate to the good cause we are guaranteed a spot in the book or names get pulled off the list at random?

    BRANDON SANDERSON

    Mostly random, I'm afraid. There is one 'sure shot' auction coming up, but last time that went for A LOT of money.

    COEN ZUIDERVAART (20 OCTOBER)

    How many names do you still need in the book? And how many new names are there actually? Was just curious to those numbers.

    BRANDON SANDERSON

    I'll use around a hundred in the book, I think. Still need to choose most of those.

    BRANDON SANDERSON

    Mikayla Micomonaco, congrats! You're in A Memory of Light. I hope you don't mind being a damane. Details.

    BRANDON SANDERSON

    Margaret St. John, you are a Seanchan general. (Using your maiden name; thanks for providing that. It worked great.)

    BRANDON SANDERSON

    Joff Brown, I drew your name next. I made you into a city, actually.

    JEFF WEISSBERG

    A "city" in the Blight?

    BRANDON SANDERSON

    A Memory of Light will reveal it for sure.

    BRANDON SANDERSON (21 OCTOBER)

    People are asking how many more names I'll use, as the book is 80% done. I left placeholders in dozens of names earlier that will be filled.

    DAMIEN BAUMGART

    Are you just dropping names in as is or will they be "Wheel of Time-ified"?

    BRANDON SANDERSON

    WoT-ified.

    BRANDON SANDERSON (24 OCTOBER)

    Alex Prescott, you are in A Memory of Light.

    BRANDON SANDERSON

    Jonathan Burt and Jonathan Brockelman, you two are a pair of Whitecloaks.

    BRANDON SANDERSON (25 OCTOBER)

    Need a name for a sister from the Green Ajah. And...the name chosen was David Emery, who entered the name of his late sister, Filis.

    BRANDON SANDERSON (1 NOVEMBER)

    The A Memory of Light name auction has begun. One winner. Or enter the drawing, multiple winners.

    BRANDON SANDERSON (3 NOVEMBER)

    I am still picking names to go in the book, as per this blog post. Should be more of those tonight.

    BRANDON SANDERSON (4 NOVEMBER)

    The "Get your name in A Memory of Light" charity auction had to be restarted due to ebay issues. Here's the new link.

    BRANDON SANDERSON

    Enough people have asked, so it bears repeating. The name auction and the name drawing are different. Explanation here.

    BRANDON SANDERSON (29 NOVEMBER)

    Thursday is the final day to enter the drawing to get your name in A Memory of Light. Details here.

    BRANDON SANDERSON (1 DECEMBER)

    Today's the final day to enter the drawing (& support JordanCon) to get your name in A Memory of Light. Last chance.

    BRANDON SANDERSON

    The drawing to get your name in A Memory of Light closes to entries in 4 hours. I still have a lot of names to draw.

    DAN GOLDMAN

    How many more names are left to draw?

    BRANDON SANDERSON (2 DECEMBER)

    Still a good fifty, I'd say.

    REBECCA LOVATT

    Have you been using people's names for characters? Haven't seen any posts/updates with that in a long time.

    BRANDON SANDERSON

    I've been putting in placeholders, and will be drawing out names over the next few months to replace them.

    BRANDON SANDERSON (28 DECEMBER)

    Shaun Davis, I just used your name in A Memory of Light.

    BRANDON SANDERSON

    Shiv Whorra, I needed another name, and you're in too.

    KELLY

    Is there a running list somewhere of the reader names you've used? And I hope you're feeling completely well soon. : )

    BRANDON SANDERSON

    We'll post them all once I'm done.

    BRANDON SANDERSON

    For those asking about names: this was done as a fund-raiser for JordanCon, so I'm no longer taking names. (Sorry.)

    BRANDON SANDERSON

    Explanation follows. (I do this sort of thing for all of my books, though, so there will be chances for other books.)

    BRANDON SANDERSON

    Robert Moreau and Robert Rose, you two are next. Welcome to A Memory of Light.

    SIMON ST. ERIC

    It is so exciting to see you pulling the names out of the hat... how many do you think you'll end up using? :)

    BRANDON SANDERSON

    Still many more.

    BRANDON BALLENGER

    Since you're not taking names anymore and have a full rough draft, could you make a guess at our odds of being drawn?

    BRANDON SANDERSON

    Really hard to guess. I have about 1,000 placeholders in the book, as told to me by Word, but...

    BRANDON SANDERSON

    Most of those are not "replace a name here" notes, but instead "Look this up" or "describe this better" or "continuity check."

    BRANDON SANDERSON (29 DECEMBER)

    Brandon Bryant, welcome to the Band of the Red Hand. (Unfortunately, we're not accepting new names. Details)

    CHRISTOPHER SKINNER

    I know no new names—for those of us who put ours in the hat before, how many spots approximately are left? What are our chances?!

    BRANDON SANDERSON

    I have no idea, I'm afraid. There are about 2k people in the drawing. Maybe a hundred names? Rough guesses.

    BRANDON SANDERSON (3 JANUARY 2012)

    Daniel Egonsson, I drew your name for A Memory of Light. (Unfortunately, we're not accepting new names. Details: http://www.mistborn.com/blog/1021/)

    HUNTER SESTREN

    But for those of us in the drawing we still have a shot right?

    BRANDON SANDERSON

    Yes.

    BRANDON SANDERSON

    Gavin Doyle, you're in too. (Yes, I will eventually post a list of all of these.)

    BRANDON SANDERSON

    Jacob Figler, you're next. (Sorry, ladies. I'll draw some female names soon.)

    JACOB FIGLER

    Hey that's me!!! Are you saying my name is going to be in A Memory of Light???

    BRANDON SANDERSON

    Yup. You're in the Band of the Red Hand.

    JACOB FIGLER

    YES!!! Check out the shirt I got yesterday hahaha! Perfect! And THANKS!!! http://yfrog.com/ob7i2zpj

    BRANDON SANDERSON

    Useful picture. Now I can describe you. :)

    JACOB FIGLER

    haha, well if you need any details let me know!

    BRANDON SANDERSON

    Okay, here's a woman: Jesamyn Angelica, you're in A Memory of Light.

    BRANDON SANDERSON (4 JANUARY)

    Kevin Fanshier, I only needed one name for A Memory of Light today, but yours is it.

    BRANDON SANDERSON (12 JANUARY)

    Kurt Wagoner, you're in A Memory of Light as a Two Rivers man.

    BRANDON SANDERSON

    Laura Hepburn, I have chosen your name for A Memory of Light.

    BRANDON SANDERSON

    Leisha Springer, your name came up next.

    BRANDON SANDERSON

    Nathan Sawyer, you were drawn next.

    ROBERT ROTH

    Do you or your assistant keep a list of drawn names? Can you post them?

    BRANDON SANDERSON

    I do keep a list, and will post them eventually.

    SEAN RYAN

    When you write a book do you fill the less important names in later?

    BRANDON SANDERSON

    Often I do just that. It can break the flow of writing to develop the right name, particularly when I might cut that scene.

    BRANDON SANDERSON (13 JANUARY)

    Angela Ryddingwood, I have drawn your name.

    BRANDON SANDERSON

    Bach Payson, I put you in A Memory of Light, but immediately killed you. Sorry 'bout that.

    BRANDON SANDERSON

    Oh, and Bryan Ragon, same goes for you. You died well, though.

    BRANDON SANDERSON

    Craig Foster, you round out the trio of dead Borderlanders I needed for this scene.

    GREG LINDSEY

    Just curious Brandon, are the names coming out of the proverbial hat, or do you look for names that can be easily WOTified?

    BRANDON SANDERSON

    Most things are pretty easy to wot-ify. And, since I can use either first or last, I haven't yet found any that don't work.

    SEAN CORSON

    Are you changing the names of people you put in A Memory of Light to make them more "Randland" appropriate?

    BRANDON SANDERSON

    They are changed.

    BRANDON SANDERSON (16 JANUARY)

    Michael Gonzalez, your name came up next. (Yes, I am wot-izing all of these.)

    BRANDON SANDERSON (20 JANUARY)

    Mione Haak, I drew your name for A Memory of Light.

    BRANDON SANDERSON

    Neil Tweed, you too.

    NEIL TWEED

    Who am I? Dark or light? Do I die well?

    BRANDON SANDERSON

    I try not to use fan names for the shadow very often. I actually named some woods after you.

    BRANDON SANDERSON

    You would have been one of the original owners of the land where the woods were, I should think.

    BRANDON SANDERSON

    Nikhil Rode and Nils Loodin, I needed two Aiel scouts.

    BRANDON SANDERSON (23 JANUARY)

    Kris Ring, you're a member of the Seanchan Blood.

    BRANDON SANDERSON (24 JANUARY)

    Johnnie Lee Barrington, Jr. and Jay Dauro, you are members of the Deathwatch Guard.

    BRANDON SANDERSON

    Paul Benish, hope you look good in the hadori.

    DANIEL NELSON

    I'm confused. You are still using names but won't take anymore? So my name may still come up assuming you aren't done us ...

    BRANDON SANDERSON

    It very well might. If you are on the list, there is a chance.

    BRANDON SANDERSON (25 JANUARY)

    Pia Maria Vaajakallio, you are Aes Sedai.

    BRANDON SANDERSON

    Maureen Sampson, you're in the White Tower too.

    BRANDON SANDERSON

    Natalie Doyle, your name came up for A Memory of Light.

    BRANDON SANDERSON

    Melissa Bergevin, your name came up next.

    BRANDON SANDERSON (26 JANUARY)

    Harm Wieringa, your name came up next.

    SHAUN DUQUETTE

    Taking a long time to add the names hehe

    BRANDON SANDERSON (27 JANUARY)

    I'm doing the first revision, and running across places where I left placeholders instead of names.

    BRANDON SANDERSON

    Jordan White, you're a wolf.

    BRANDON SANDERSON

    Lindsey Turnbow, you too.

    M. KLOMPENHOUWER

    Is anyone keeping track of the names that are being drawn for A Memory of Light?

    BRANDON SANDERSON

    Yes, they are. We'll post them eventually.

    BRANDON SANDERSON (30 JANUARY)

    Savannah Rose Young, you're a Seanchan general.

    BRANDON SANDERSON

    Sally Rankin, your name came up too.

    ZACHARY NORTH

    They all get changed. Some as little as Thom or Mat (if appropriate.) Some to things very different.

    ADAM GOUCHER

    How many names got submitted?

    BRANDON SANDERSON

    Three thousand, I think.

    BRANDON SANDERSON (6 FEBRUARY)

    Anna Roberts and Andrew Holcombe, I drew your names most recently for A Memory of Light.

    BRANDON SANDERSON

    Caitlin Sullivan, you're in the White Ajah.

    BRANDON SANDERSON

    Courtney Gliszczynski, your name came up next. I think I'll adapt your first name, not your last, if that's all right...

    BRANDON SANDERSON

    Michael Sarcone, you asked to be a Darkfriend for some reason, and I obliged.

    BRANDON SANDERSON (7 FEBRUARY)

    Chris Gilbert, you entered your son's name into A Memory of Light and it has been used.

    BRANDON SANDERSON (8 FEBRUARY)

    Drew a bunch of names I didn't report. Eric Silva, Hugh Hill, Sean Little, Rion Kinosaki, Helen Cousins, Eyal Weinstock.

    SEAN LITTLE

    This is Sean Little, the guy that emailed you previously regarding putting in a group name. Did that entry have...

    SEAN LITTLE

    ...San D'ma Shadar as the name?

    BRANDON SANDERSON

    Yes.

    SEAN LITTLE

    Thank you very much.

    BRANDON SANDERSON

    Trying to figure out the San in that phrase, though. Is the "San" a name, or a word in the Old Tongue I'm missing?

    SEAN LITTLE

    The translation used on the site (made by our Old Tongue experts) is Slayers of the Shadow. I could ask for the exact translation.

    BRANDON SANDERSON

    That works for me. I actually put the name in a place where it could refer to a group, so I'll tweak it to do so.

    ANTHONY AZIZ

    Your favorite Two Rivers man, Azi al'Thone, back to bug you again :D I had put in an entry for SDS as well... and since...

    ANTHONY AZIZ

    ...I'm a member of SDS of TV.Net, I'm wondering what (if any) possibility there is of making Azi part of it?

    ANTHONY AZIZ

    Of course, I understand if that's complicated or doesn't fit with the story—had to ask anyways.

    BRANDON SANDERSON

    The group is referenced by Mat as being part of a historical battle.

    ANTHONY AZIZ

    Oh okay! Yes, that would be really hard to make work then :P Thanks for the response, Great Lord :)

    BRANDON SANDERSON (14 FEBRUARY)

    Working on one of the big, climactic sections at the end of A Memory of Light right now. Not many names left to draw, I'm afraid. A handful, maybe.

    BRANDON SANDERSON

    Remember, there is a special group of Dragonsworn in the Last Battle representing all who donated, so even if you aren't named, you're there.

    BRANDON SANDERSON (15 FEBRUARY)

    Roger Trask and Charlie Bachelder, turns out I needed two more Aiel to fight in the Last Battle.

    Tags

  • 37

    Interview: Apr 23rd, 2010

    Matt Hatch

    Is the Horn an object of the Power?

    Maria Simons

    RAFO, but I will tell you something about the Horn. People always ask why the inscription on the Horn is in the Old Tongue, if it's so old. It was added in the Age of Legends.

    Terez

    It should also be noted that, when a panel moderator asked the audience if we wanted to see the Heroes of the Horn come back before the end, Maria raised her hand high.

    Tags

  • 38

    Interview: Apr 22nd, 2009

    Leigh Butler

    Sunday

    Maybe a little too much of a good time, as I woke up Sunday feeling really, really not good. I tried to eat breakfast with Jason and Harriet and Tom Doherty and a bunch of other people, but ended up mostly just kind of staring at everyone in a nauseous daze, which I'm sure was thrilling for everyone involved. It was a goddamn barrel of monkeys from this end, I can tell you. Yes, yes, I have no one to blame but myself, blah blah blah bitemecakes.

    It did have one good result, in that I apparently looked so piteous that Mr. Doherty was moved to rescue me by offering me a ride with him to the airport, as we both had flights out that afternoon. Because he is a Prince Among Men. I accepted gratefully, and said goodbye to everyone I could find before heading out to brave the dark and foreboding clutches of the airline travel industry once more.

    And here, pretty much, ends my extremely long-winded tale. I'd like to thank the Academy, and also Jennifer, Dot, Jason, Pablo, and anyone else who had anything to do with getting me to this thing and steering me gently in the directions I needed to go while I was there, and buying me tasty beverages while they were at it. Y'all are the bizzomb, yo.

    And, of course, deep thanks to Team Jordan, for being the thoroughly gracious and awesome group of people that you are, and for sharing your time and your expertise and your memories of a singular man with us. I am honored, and I do not say so lightly.

    So, that's my report on JordanCon 2009! I had about a billion tons of fun, and met some of the coolest people on this here mudball, and I am eternally grateful to all y'all for being the kickass fandom that you are. As my people say, laisse le bon temps roule, which is Old Tongue for "Whoo!" Indeed.

    Fin!

  • 39

    Interview: Nov 2nd, 2010

    Question

    Was Narg an especially smart Trolloc?

    Brandon Sanderson

    Narg was a smart Trolloc; there are other Trollocs that can speak the human tongue...we are talking the the top one percentile.

    Footnote

    Brandon probably meant the 99th percentile. Or the top 1%.

    Tags

  • 40

    Interview: Nov 8th, 2010

    Question

    In the early books, when Mat speaks in the Old Tongue without realizing it, he speaks with a certain voice that seems different from when it happens in Towers of Midnight, why is that?

    Brandon Sanderson

    The simple answer is that Mat is now getting more comfortable with who he is and the memories in his head, so it's coming out smoother now. Some of the difference is that the earlier books were completely written by Robert Jordan and I can't know what he was thinking at the time he wrote them.

    Alan Romanczuk

    Also, the Old Tongue is constantly shifting and idiomatic. It is very fluid, and certain words can mean more than just one word. There will be a lot more of the Old Tongue in A Memory of Light and the Encyclopedia. (Old Tongue is one of Alan's specialties!)

    Tags

  • 41

    Interview: Apr 15th, 2011

    Question

    [paraphrased] Were there any consequences from Rand asking questions of the Aelfinn that touched on the Shadow (about cleansing the taint and winning Tarmon Gai'don)?

    Alan Romanczuk

    Moiraine and Cadsuane thought there would be consequences, but that doesn't necessarily make it so.

    Ted Herman

    However, the glossary entry in Towers of Midnight for the Aelfinn states that there are consequences in such circumstances, so either that is wrong or there is a possible contradiction.

    Towers of Midnight
    CHAPTER: GLOSSARY
    Aelfinn: A race of beings, largely human in appearance but with snakelike characteristics, who will give true answers to three questions. Whatever the question, their answers are always correct, if frequently given in forms that are not clear, but questions concerning the Shadow can be extremely dangerous. Their true location is unknown, but they can be visited by passing through a ter'angreal, once a possession of Mayene but in recent years held in the Stone of Tear. They can also be reached by entering the Tower of Ghenjei. They speak the Old Tongue, mention treaties and agreements, and ask if those entering carry iron, instruments of music, or devices that can make fire. See also Eelfinn, Snakes and Foxes.

    Tags

  • 42

    Interview: Nov 16th, 2010

    Brandon Sanderson

    Julien also asked what Shanna'har meant and [Brandon] said that he had asked Alan for a word that meant "commemoration" in the Old Tongue.

    Tags

  • 43

    Interview: Jan 21st, 2003

    Ajierene

    I called Gerald up and we brainstormed some ideas for questions. I brainstormed with Sean also and discussed how similar the Old Tongue is to his friend's gypsy language. We were ushered to stand against the wall while we waited. Then ushered to stand in the middle of the hallway. Perhaps the Library staff was bored. We discussed the sign on the wall:

    Robert Jordan will not sign mass produced paperbacks
    Questions are allowed, photographs are allowed
    Robert Jordan will sign 2 books per trip through the line:
    10 books, 2 books per trip = 5 trips

    So that's why people were running to the back of the line when they were done getting their books signed.

    Finally our turn came.

  • 44

    Interview: Jan 21st, 2003

    Sean

    Sean asked Robert Jordan if the gypsy language influenced his language.

    Robert Jordan

    He said it did not, however the Old Tongue was taken from Danish, old English, Welsh as well as Eastern European, and Asian. Which explains the familiarity, Sean told me later, the gypsy language is influenced by the aforementioned areas also.

    Tags

  • 45

    Interview: Dec 2nd, 2010

    Andrew Gelos

    One of the questions—and this is a really weird one, at least for me—I was wondering—and obviously we know that if it's pertaining too much to things that are going to be coming out in the books that haven't been released yet, we know that they can't be discussed, and that's completely and totally understandable—but I was really wondering: I've recently started yet another re-read of the series with my wife, and I got to thinking about the Horn of Valere (rhymes with full-AIR)...or Valere (full-EAR)—and once again, I sometimes flip back and forth between the way I originally heard it and the way it probably should be pronounced—but how does the Horn function? Is it actually an old ter'angreal, or is it completely unrelated to the One Power?

    Alan Romanczuk

    Hmm.

    MARIA SIMONS

    Okay...we don't really know. No one really knows. It's an ancient artifact, probably not a ter'angreal.

    ALAN ROMANCZUK

    Excuse me, Maria, I have to interrupt for just a moment. I actually found some notes on this, in the bottom of Jim's desk.

    MARIA SIMONS

    Oh, really?

    ALAN ROMANCZUK

    I don't know if anyone's interested.

    VIRGINIA

    Oh yes.

    SPENCER POWELL

    Just a little?

    MARK

    Please, please?

    ALAN ROMANCZUK

    The Horn of Valere, as Maria said, it was created by mortals—we know that; Jim has said as much publicly—and the Horn was created in the Age before the Age of Legends, or at least one Age before; it was not known how far back. But I've discovered that the Horn actually was the original Horn played by Dizzy Gillespie. [laughter] It was manufactured by King—it was the silver flare model. And something happened after this Age...there was so much Bebop imbued in this instrument that it took on its own magical qualities, and when it was found during the Age of Legends, the bent bell was refashioned into a curve, and they put in the Old Tongue inscription inside the bell. [laughter]

    ANDREW GELOS

    That is awesome.

    VIRGINIA

    Wow. I never would have guessed that.

    ALAN ROMANCZUK

    Well, it's really obscure. The power of Bebop is unlimited, and it just transformed through the last couple of Ages, to get into Rand's world, with its current...now, originally, when he blew it, musicians would appear.

    VIRGINIA

    AH. Backup band.

    ALAN ROMANCZUK

    But because of the needs of the time, you know, it suddenly became, Heroes would emerge when it was played. So, that's all we can really say about it. Do you have anything else to add, Maria?

    MARIA SIMONS

    No.

    JENNIFER LIANG

    I can't wait until the Theorylanders get ahold of that.

    VIRGINIA

    Oh yeah. So now we know that the Wheel even weaves inanimate objects into the Pattern, and makes use of them as it wishes.

    MARK

    Now, that story I expect to see in the next Great White Book, version two. [laughter]

    Tags

  • 46

    Interview: Dec 2nd, 2010

    Virginia

    Okay, so...my pet peeve is the famous library ter'angreal that was uncovered in Ebou Dar. Why is it that….is all that non-fictional knowledge ever going to come into play, and what's wrong with Elayne that she's not using it to find out some things that they probably desperately need to know? Or I guess she's using it as a doorstop.

    Maria Simons

    Well, 1) we haven't seen Elayne in a whole book; we don't really know what she's doing, and 2) she has problems channeling because of this pregnancy deal, and 3) everything's going to be in the Old Tongue and she's a little busy to sit down and translate documents.

    VIRGINIA

    That's true.

    ALAN ROMANCZUK

    But you don't understand the significance of that ter'angreal: Jim foreshadowed the creation of the Kindle. [laughter]

    VIRGINIA

    Oh, no!

    ALAN ROMANCZUK

    Mmhmm, he did. And actually, Elayne—right now as we speak—is in her bed reading fiction on that.

    JENNIFER LIANG

    I bet they're dirty romance novels.

    SPENCER POWELL

    I was going to peg her for an urban fantasy fan.

    MARK

    No, no, no, no, no. She loves the Harlequins. Case closed.

    VIRGINIA

    Oh, the Harlequins. Yeah.

    JENNIFER LIANG

    Yes, totally.

    MARK

    Either her or Aviendha, but one of those two is definitely into the Harlequin super-romance.

    VIRGINIA

    How can she get all excited about the cover art of Fabio when she's got Rand? [laughter]

    ANDREW GELOS

    Have you seen the cover of Lord of Chaos?

    VIRGINIA

    Yeah, I'm telling you! No comparison.

    JENNIFER LIANG

    Yeah, that one was nicknamed at our house 'Passion of the Aes Sedai'. I actually had to take the dust jacket off of that one when I would take it to school, when I was in high school, because I was like, "I do not want people to think I'm reading some kind of filthy romance novel in class."

    VIRGINIA

    Well, I'm thinking more of, what was it? A Crown of Swords? Where he's got the, uh…all he needs is some baby oil and a little less clothes and he looks like he's posing…

    JENNIFER LIANG

    We love fist-pumping, body-building Rand.

    MARK

    Don't make me get out the water bottle to squirt you ladies. Jeez… [laughter]

    JENNIFER LIANG

    I have a big cardboard cut-out of fist-pumping, baby-oil Rand in my garage right now. I use it as a [decoration] at conventions. [Amusingly, it was stolen at JordanCon 2011, a few months after this interview.]

    VIRGINIA

    Oh, cool.

    SPENCER POWELL

    Is that cool, or is that creepy?

    JENNIFER LIANG

    Well, it's a little insane I think.

    Tags

  • 47

    Interview: Dec 2nd, 2010

    Andrew Gelos

    I have a kind of a question which…so much doesn't connect directly to the Wheel of Time world except that it also connects Wheel of Time to the broader scope of our world, and I've just been itching to ask this: I've recently been in a course in Restoration Literature, and in the historical studies there, I noted that there seem to be connections between Cairhien and London around the time of the mid-to-early 1600s: the fact that the city is part built against a river, the city burns when the Aiel attack, and there are various cultural features that seem to reflect London around that time period, and I was wondering, am I just completely imagining this? I know occasionally Mr. Jordan would take things from various different places and kind of merge them together to create a unique, individual space, and I just was sort of wondering if there is actually any of historical London in Cairhien, and if there is, is there any more anywhere else in the major cities?

    Alan Romanczuk

    Yes, yes. One thing you have to remember about Jim is he never did a single reference in any of his descriptions, whether it's a military uniform, a city, a character—everything seemed to draw from multiple sources. So yes, Cairhien was most likely in part based on London, but you look at the map of it, and you can see it's very different as well. It's laid out in a very rigid grid fashion. You could say in that case, well, maybe it's based on New York City in part as well, and it has a palace up on the highest hill within the bounds of the city. That's not true of London, but it's true of other places. And London wasn't the only city burned by attack; there were many others. But yeah, I mean Jim had a huge number of books in his reference library, and he traveled a lot as well, so he saw many of these places, and in typical Jim fashion...you know, I wouldn't be surprised if he had eight or ten or twelve influences in the creation of Cairhien.

    ANDREW GELOS

    That's great, because what actually caught my notice—because, even the Great Fire of 1666 probably would have passed me by in connection to the Wheel of Time world, except for the fact that, then I looked at the semi-Puritanical dress that the nobles in the city were taken to wearing, and then we were…I actually on the day I thought of this question was sitting there looking at a screen with the picture of Oliver Cromwell, the Lord Protector, and I was just like, "You know, that's like, almost what I kind of envisioned the Cairhienin nobility to kind of look like."

    VIRGINIA

    Well, one thing we've never seen in any of the Wheel of Time history that I can recall—and London, just talking about it brought it to mind—is, we've never seen a large-scale plague in history, like with the Great Plague of the year…I've forgotten now.

    ALAN ROMANCZUK

    Mmhmm.

    MARIA SIMONS

    Yeah.

    ALAN ROMANCZUK

    Well, of course, so many of the rats have been eliminated, but they're back now.

    VIRGINIA

    They're back! Maybe your plague is coming, like they need more trouble. [laughter]

    MARIA SIMONS

    The Last… (cross-talk)

    VIRGINIA

    No, go ahead…

    MARIA SIMONS

    The Last Battle is…

    JENNIFER LIANG

    It's funny that you brought up London as an influence, because most people when they're talking about influences on Cairhien, they really pick up on the court of the Sun King and Marie Antoinette because the style is very, you know, 1700s, late-1700s and Marie Antoinette, and there's also a lot of Japanese influence, and that tends to be what people pick up on. So this is the first time I've had somebody say, "You know, I think there's a London in Cairhien," so that's kind of interesting.

    VIRGINIA

    I guess everybody brings something different to the books, and interprets them in their own way.

    JENNIFER LIANG

    Oh yeah, definitely.

    ALAN ROMANCZUK

    Yeah, another interesting point: anyone remember what the name Cairhien means in the Old Tongue?

    ANDREW GELOS

    Hill of the Golden Dawn.

    ALAN ROMANCZUK

    Hill of the Golden Dawn. The Order of the Golden Dawn was an occult society in London back before the beginning of the 20th Century.

    FOOTNOTE

    This particular society was Kabbalistic, and their hierarchy is based on the Tree of Life. Many other parallels can be drawn.

    VIRGINIA

    Yeah, that's right. I'd forgotten that.

    ALAN ROMANCZUK

    Which I just bring out as, you know, yet another thing that Jim latched on to and threw into the mix.

    JENNIFER LIANG

    Most people think 'the hill of the golden dawn' is like, 'Oh, the land of the rising sun!' which would be Japan, because there's a heavy Japanese influence in just the style of the buildings and things like that seem very Japanese.

    ALAN ROMANCZUK

    Sure. And the Sun King of France.

    JENNIFER LIANG

    Yeah. It's kind of like he just pulled everything that was related to the sun and just kind of melded it together to make Cairhien.

    ALAN ROMANCZUK

    Yeah.

    MARIA SIMONS

    He liked mixing things up.

    JENNIFER LIANG

    And it works really well. That's the surprising thing to me is that he was able to pull from so many different sources and make things seem very coherent and logical for the cultures.

    VIRGINIA

    Yeah, I like the fact that everything that you read as you're going along, all these things sort of tug at the back of your mind and you're thinking, 'Oh, this reminds me of this, and this reminds me of that', and it makes you really think that it adds a depth to the thing that you can come back later and explore it again.

    ALAN ROMANCZUK

    Okay, I've got a game for you. Go to Wikipedia. Put in something like 'golden dawn', let's say…or just anything. Pull anything from the Wheel of Time books that's distinctive. Put it into Wikipedia until you find a hit. I almost guarantee, within that article, you're going to find yet another reference from the Wheel of Time. Track that. See how many hits you can go before you run out.

    VIRGINIA

    I'll have to try that.

    ALAN ROMANCZUK

    I did that the other day, and I wound up spending an hour and a half of just going from one thing to another. It was really amazing.

    JENNIFER LIANG

    Yeah, I can see myself losing an afternoon doing that.

    VIRGINIA

    Oh yeah, easily.

    SPENCER POWELL

    Very easily.

    JENNIFER LIANG

    I've lost too many hours to Wiki-walking already.

    VIRGINIA

    I guess that's why it bothers me so much about that library ter'angreal…if I had that, I'd never be able to put it down, and I guess I just don't understand how somebody could…if they can't deal with it, then delegate, but this is me. It's the equivalent of having a computer hooked up to the internet; I could not walk away from it. It would be a Mindtrap for me. [laughter]

    Tags

  • 48

    Interview: Dec 2nd, 2010

    Andrew Gelos

    I guess part of the thing that is interesting to me, and I guess being a student of Literature, I am horribly fascinated with fictional languages. How extensive is the vocabulary of the Old Tongue as it exists right now? I'm assuming that there is more of it than we have seen in the novels. And do you know if there were rules set down to explain the creation of the vocabulary? And kind of alongside that, is there—obviously I kind of take the answer about London to be a similar question, or a similar answer towards whether or not there's an actual philological basis for the Old Tongue—part of what I'm wondering is…I've been using the Shienaran phrase "Suravye ninto manshima taishite" as sort of our closing for the podcast. I'm tentatively wondering how badly I'm butchering that.

    Alan Romanczuk

    Oh, you're spot on. Spot on.

    VIRGINIA

    Yay Andrew!

    ANDREW GELOS

    Sweet!

    ALAN ROMANCZUK

    Jim actually spoke pretty extensively in public about the Old Tongue, and I even pulled up a letter that he had written about it in which he says, "The Old Tongue is based on, for example, the languages: Gaelic, Russian, Spanish, Chinese, Japanese, Arabic, and some additions of my own—bridging material if you will. Grammar and syntax are a blending of English, German, and Chinese with some influence from a set of African languages read about long ago, and all but the oddities of structure long since forgotten." He has converted constructions…the thing about the Old Tongue, the way that it's constructed…it is a very loose language, like Latin I guess; it can be presented in almost any order and be intelligible to someone who knows it, and there are several conventions involved in it which could be explained for a longer podcast, but those are the basics. He really did pull them from a lot of different areas, and he started by constructing the language—as I recall there is a list of 850 or 880 common words that you need to know to be able to speak in English, and I don't know who created these, but he had that. We have file, and he modified that, kicking out some words like 'electricity' and so forth that wouldn't be useful in this, and adding some others, and putting definitions to them in Old Tongue. I never added it up, but he said we had a file of about a thousand words, and this dictionary will be published at a later time.

    VIRGINIA

    Great.

    ANDREW GELOS

    That is awesome.

    ALAN ROMANCZUK

    And that will be part of the encyclopedia, actually.

    ANDREW GELOS

    That'll be great.

    VIRGINIA

    I can't wait. That sort of leads me into my next question which is something that, two years ago when Brandon was out on the Mistborn tour—the last Mistborn book tour—during an interview, I asked him if he could please come up with some way for us to say phrases having to do with the Light, such as 'Walk in the Light,' or 'May the Light illumine you' in the Old Tongue, and he said he would do his best, and I think he just forgot. But we do have the audio; he kind of sort of promised us. We're hoping that maybe you can bail him out on this one. [laughter]

    ALAN ROMANCZUK

    Well, I think all will be revealed in the encyclopedia.

    VIRGINIA

    Aww, I can't wait that long!

    ALAN ROMANCZUK

    Except what isn't revealed.

    JENNIFER LIANG

    How far is the encyclopedia coming? People ask me about it occasionally, and I'm like, 'I dunno; they're working on it.'

    MARIA SIMONS

    Well, it's been back-burner recently because we're doing Towers of Midnight, but that's my next project to get back into, doing basically the skeleton for it, and after A Memory of Light we will go full bore on it.

    JENNIFER LIANG

    Oh, excellent. I remember Harriet saying that it was due one year after the final book, whenever the final book is out.

    MARIA SIMONS

    Right.

    ALAN ROMANCZUK

    And we're working on it in between when we get time, when we're not doing podcasts and so forth. [laughter]

    VIRGINIA

    Oh, now you're making us feel guilty. [laughter] But not very.

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  • 49

    Interview: Dec 2nd, 2010

    Virginia

    I want to just throw something in at the last minute, because it just popped into my mind because of that, and I'm sure this is going to be another Read And Find Out. Can you tell us anything about the lack of Lews Therin's voice now that Rand has had his so-called 'epiphany' on Dragonmount…is that an actual 'merging' of the characters? Are we done with the voice of Lews Therin?

    Maria Simons

    I need to learn Old Tongue for 'Read And Find Out'. [laughter]

    VIRGINIA

    I'm still waiting for 'May the Light illumine you'! [laughs] I was hoping somebody'd pop up with that for the podcast, and that's how I try to close each episode, so that's why I asked Brandon for it. I'm just gonna have to hound him.

    Tags

  • 50

    Interview: Dec 2nd, 2010

    Andrew Gelos

    Once again, I just want to thank Jennifer, Alan, and Maria for being able to join us today. It's phenomenal talking to all three of you; it is just amazing to be able to get to interact so closely with people who are so closely ingrained with the series. It's been a very true pleasure.

    VIRGINIA

    We sure do appreciate you coming out, and it's…

    Maria Simons

    It's been a blast; this has been fun.

    ALAN ROMANCZUK

    It's been an honor, and thank you so much for having us, and we hope to see you at one of the cons.

    MARIA SIMONS

    Yes.

    VIRGINIA

    I hope so too. And we want to issue an open invitation, if you ever have, you know, any time at all, and you want to, we'll make it work if you want to talk with us again. Maybe after the next release or something…any time. Just…we'll make it work.

    MARIA SIMONS

    Okay.

    ALAN ROMANCZUK

    Okay! And if you have a spare couch where you live…[laughter]

    JENNIFER LIANG

    I have a spare bedroom.

    SPENCER POWELL

    Yeah, if you wanna come to know where I know (?)…

    ALAN ROMANCZUK

    It's a date.

    VIRGINIA

    I actually live in Nowhere, California (?) We're one of the last really rural areas in California; I joke that it's like the Two Rivers, only without the amenities. [laughter]

    ALAN ROMANCZUK

    Without the water.

    VIRGINIA

    We don't even have an inn! We have no inn. [laughter]

    MARIA SIMONS

    Wow.

    ALAN ROMANCZUK

    Alright! Well, thanks so much.

    MARIA SIMONS

    Thank you.

    ANDREW GELOS

    Thank you.

    VIRGINIA

    We wanna thank everybody who showed up for this; we really appreciate it.

    ANDREW GELOS

    And thank you Jennifer.

    JENNIFER LIANG

    Oh, thank you! Gave me something to do this afternoon besides beat my head against that paper I'm trying to write. [laughter]

    SPENCER POWELL

    Then maybe we shouldn't have…no.

    JENNIFER LIANG

    I'm actually ahead of schedule on this paper, so it's okay.

    SPENCER POWELL

    Alright.

    VIRGINIA

    Well, anyway. Thank you Alan, thank you Maria, Jennifer, Mark, Spencer, and Andrew for showing up, and I think that'll pretty much wrap up this episode, so this is Virginia, saying "May the Light illumine you", until we meet again, or until Brandon gives me my catch-phrase in the Old Tongue.

    MARK

    Alright, well thanks again for coming out. For Maria and Alan; you guys have been great, and thanks again for having me on the podcast; it's always great to be here.

    SPENCER POWELL

    And until next time, may you find water and shade.

    ANDREW GELOS

    And for myself, Andrew Gelos, and everyone here at The 4th Age: Suravye ninto manshima taishite.

  • 51

    Interview: Oct 18th, 1994

    Erica Sadun

    Did not get a chance to ask:

    1. Why did Ishamael split in two at the end of The Dragon Reborn?
    2. Who was Kari al'Thor? And what did it mean to be Second Captain in Illian?
    3. Is Egwene the reincarnation of Eldrene of Manetheren? And is Eldrene's veil significant? Will you explore Egwene's understanding of the Old Tongue at all?
    4. Was Lews Therin Beidomon?
    5. What did your readers guess that you thought they'd never pick up on because you thought it was too subtle?
    6. Why do some characters go in and out of the woodwork? Like Rand in The Dragon Reborn...
    7. What made you choose to have a protagonist who will be going mad?

    Please do identify yourself as a 'net Darkfriend. He seems to like us, be aware of us, etc. And Judy: "All is forgiven".

    Tags

  • 52

    Interview: 2012

    Twitter 2012 (WoT) (Verbatim)

    Brandon Sanderson (23 March 2012)

    All right. Kelsier and Moiraine are facing each other in the Suvudu cage match next round. Guess I should do a write up.

    BRANDON SANDERSON

    I think I'll just flip a coin to decide who wins, then write something that makes it seem logical.

    BRANDON SANDERSON

    Though this is (for a Suvudu Cage Match) actually quite even, I'm going to have to play it very tongue-in-cheek. Just a warning.

    BRANDON SANDERSON

    Don't expect an epic battle. I don't have the time to spare to write up something like that in this case.

    BRANDON SANDERSON

    Okay, that's done. Quick and dirty, I'm afraid, but it's all the time I could spare. Should be up on Suvudu soon, maybe on my website also.

    BRANDON SANDERSON

    Warning: it not only contains huge spoilers for both series, but a lot of WoT and Mistborn in jokes.

    BRANDON SANDERSON

    If you disagree with the results of my coin flip, feel free to vote however you wish in the cage match poll. :)

    BRANDON SANDERSON

    Write up I did for Kelsier and Moiraine will go up Monday, I believe. I'll post a link when it goes live.

    AIDAN MOHER

    You stole my cage match, Brandon! ;)

    BRANDON SANDERSON

    Ha! You were the one who would tackle this, eh?

    BRANDON SANDERSON

    Well, if you had something cool you wanted to do, I'll post it on my site if you still want to write it.

    BRANDON SANDERSON (26 MARCH)

    In case you haven't seen it, my Moiraine vs Kelsier write up is here.

    BARRY ARNOLD

    I liked it, it was a fun read, still voted for Moiraine though :P ^_^

    BRANDON SANDERSON

    I actually tried to leave it ambiguous at the end. The thing people should be asking themselves is this:

    BRANDON SANDERSON

    "As the write-up was from Kelseir's viewpoint, can we assume that the whole thing happened as Moiraine wanted it to?"

    BRANDON SANDERSON

    You need to ask yourself that whenever you end a conversation with an Aes Sedai. :)

    Tags

  • 53

    Interview: Mar 27th, 2012

    Brandon Sanderson

    If you missed it on Twitter or Facebook, here's the link to my Suvudu Cage Match writeup of Moiraine vs. Kelsier. Don't expect an epic battle. I don't have the time to spare to write something like that in this case. Instead, I played it very tongue-in-cheek. I flipped a coin to decide who won, then wrote something that made it seem logical. Warning: it not only contains huge spoilers for both series, but a lot of Wheel of Time and Mistborn in-jokes. If you disagree with the results of my coin flip, feel free to vote however you wish in the cage match poll.

    Tags

  • 54

    Interview: Nov 3rd, 2009

    Louie Free

    Oh, tell me about that call. What do you remember about the call? You gotta tell...oh, wow. What a story...tell me...sorry.

    Brandon Sanderson

    Yeah, it was a really surreal experience. I actually got it as a voice mail. When I woke up in the morning, you know, you're groggy eyed. I'm two hours behind New York, the East Coast. Harriet, his wife, had called me. I was listening to my voice mails, you know, normal stuff, and there's just one there that says, "Hello, Brandon Sanderson. This is Harriet McDougal, the widow of Robert Jordan. I would like you to call me back. There's something I want to talk to you about."

    Louie Free

    And what are you thinking it is at the time, did you know?

    Brandon Sanderson

    I had no idea what to think. I mean, I had posted a eulogy to Robert Jordan on my web site, one of many who did that just because he meant so much to so many of us.

    Louie Free

    And...I'm sorry, brandonsanderson.com. We've got links up at Louie Free Show to brandonsanderson.com. Go ahead, I'm sorry.

    Brandon Sanderson

    Yeah, yeah. You can read that original eulogy. I'm going to post a new link to it because a lot of people are coming by looking for it. Anyway, I posted that, and she had read that. A friend had given it to her because it had touched them. Harriet, his wife, is also his editor. There's a wonderful story there. I mean, she discovered Robert Jordan as a writer first, and then while working on the books together they fell in love and got married. And so, she'd been involved in his books from the beginning. But anyway, she had called me up to find out if I was interested in completing the Wheel of Time. I just assumed she'd read my eulogy and she wanted to call me to talk to me about that...I don't know what I'm thinking. I tried to call her back, but she didn't answer because she was actually out. It had been several hours since her call.

    Louie Free

    Now, wait a minute, wait a minute, wait a minute...Brandon, were you freaking out, not being able to reach her?

    Brandon Sanderson

    I was freaking out. My wife says...she says I was more nervous that day than on our wedding day.

    Louie Free

    (cackles loudly)

    Brandon Sanderson

    Yeah...she's just a little bit bitter about that. But you know, I replied I had six months to get ready for the wedding. This just came out of nowhere, dropped on me like a ton of bricks. So I'm sitting there kind of running around in circles. I call my editor and he doesn't respond, he's not in. I call my agent and he's not in. And so I go up and talk to my wife and I'm just talking a mile a minute. You know, I'm a fast talker, anyway, so you can imagine me that excited. It was just crazy. I eventually got a hold of her by calling up the publisher and saying, "Uh...I just got a call from Robert Jordan's widow." So they're like, "Oh yeah. We've been trying to get a hold of you all day. Okay, we'll get her to call you back." She said she just wanted to see if I was interested. She thought I was a potential prospect. She wanted to read my books first, but before even doing that she wanted to make sure I was interested. And I wasn't sure how to respond, to be perfectly honest. I mean, I didn't think, and I still don't think, anyone could replace Robert Jordan. He was an author like we don't get very often.

    Louie Free

    Okay, but hold on, hold on. I'm sorry, hold on a sec...let me ask. Here you are, here you are. It's kind of like...you grew up on his nourishment for your brain—your brain food, if you don't mind. You grow up on this, you love this guy, I mean, you're freaked out he passes away, so there's not going to be more. You get a call from his wife slash life partner slash editor and she says, "Brandon, we want you to carry on the legacy of this guy that has been a 'small g' god to you." Correct? Is that a fair assessment?

    Brandon Sanderson

    Yeah, oh yeah. That's a very fair assessment. That's the situation I'm in. I was so tongue-tied, Louie, that I don't think I was able to even speak two words together. I wrote her an email the next day that said, "Dear Harriet. I promise I'm not an idiot, even though I sounded like one." I took that whole night thinking about it. And eventually what I came up with was that I didn't think anyone could replace him, I didn't think I could replace him. I did not think that I could write as good a book as Robert Jordan could have, and I still don't think anyone could have written as good a book, because he should be here to write this book.

    But I came to a decision that night. I realized if someone was going to write this book, I wanted it to be me. If it couldn't be Robert Jordan, I wanted it to be in the hands of somebody who loved and revered the series. I'd read some of the books eight times at that point. I'd reread most of the series all the way through often when a new book would come out. I knew that at least then it would be in the hands of someone who wouldn't take it and run off with it and make it their own, but would have tried to make it see his vision and be his story. And I'd made that decision, I realized, yes, I do want to do this. It's a tragedy that we lost him, but if I'm doing it, then I know it won't be screwed up. And so that's when I wrote her the email and said, "Harriet, I'm sorry I sounded like an idiot. I do want to do this, and these are the reasons."

    Louie Free

    She had to know that you were going to be...I mean, she had to know that whoever she called and obviously called the right person. Again, the results...the book, now available everywhere. If you camped out, you've already got yours. If you don't, you can have it. Please buy it at your local independent bookseller when you are able to. The Gathering Storm. It is The Gathering Storm. And it's Brandon Sanderson and Robert Jordan's name obviously prominent on the book. Gathering Storm...available everywhere. It is available at your independent bookseller. It is available in your neighborhood. Please, before you buy—I hope you don't mind this, Brandon—before you go to buy it online, buy it from a store where your neighbors and the people in your community are going to benefit.

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  • 55

    Interview: Apr 21st, 2012

    Melissa Craib

    Could you tell us a little bit about how the writing process for these last couple of books has been, how it is for this one, as there are so many people working on it?

    Harriet McDougal

    Well, the first thing is that Brandon writes, and...you could talk about that, Peter. I don't really know much about Brandon's writing process except that it tends to be at night. (laughter)

    Peter Ahlstrom

    Well, for those who aren't aware, Brandon...(sigh)...Brandon tends to stay up until four o'clock in the morning writing, and then he gets up at noon. So he gets up at noon, and then he writes from about one to five, and then he is with the family until bedtime for the kids, and so from about...I guess he starts writing again at about eight, and then he keeps going until four. Some of you may be interested to know that he has a walking treadmill desk, so he does a lot of his writing standing up, walking on the treadmill (laughter) and when he's not at the treadmill, he's got multiple fireplaces around the house now, so he's usually in front of one of those.

    Harriet McDougal

    Are they wood-burning, or gas, or what? (laughter) I love fireplaces!

    Peter Ahlstrom

    Uh...they are gas fireplaces.

    Harriet McDougal

    Yeah, those are fun. Then Brandon gives us the first draft, and some bits are rough, and some are polished. And we go through it with our three various combs. Mine is characters and prose. Maria is continuity. I am not. (laughter) And she's a wizard at that, and Alan is a military wizard. And notice it's...I guess sexist, to give him the boy's stuff. (laughter).

    Alan Romanczuk

    I get all the alcohol as well. (laughter).

    Harriet McDougal

    That's just 'cause he's lucky.

    Maria Simons

    And Alan does Old Tongue and geography as well, because I kinda stink at both of those.

    Harriet McDougal

    And I just kind of lose my temper with the geography. (laughter) And then, we get this stuff, and with this book, we're doing a better...it is a better thing we are doing for our country this time. (laughter) We send our combined nit-picking to Brandon section by section, and right now he's had...what did I send you last week? Five?

    Peter Ahlstrom

    Part six.

    Harriet McDougal

    Six! I'm in eight; so is Maria. (to Alan) Where are you?

    Alan Romanczuk

    Seven.

    Harriet McDougal

    Seven. And we'll wait until Alan has finished eight before it goes back to Brandon, so that he doesn't lose his mind, and nine is followed only by the epilogue, so we're almost through. And then Brandon will send it back and there will probably be more animated conversation (laughter), and this time it will include words from Brandon that sort of say, "But you said..." (laughter) And we'll work it out, and we hope to have it in New York June 15th, and that might seem like a long time for January 8th. Believe me, it's not. And it will...is Paul Stevens here? Yeah, hey Paul! This will save...if we can do it, it will save the coffee cart from adding Prozac and Gelusil in massive amounts, right?

    Paul Stevens

    Yes.

    Harriet McDougal

    But it might be...there is [?] [whispered conversation with Alan, something about June 15th]

    Maria Simons

    Scary, isn't it? (laughter)

    Harriet McDougal

    That's the goal.

    Melissa Craib

    It is in two months.

    Harriet McDougal

    But, we don't think Brandon really needs to sleep. (laughter)

    Tags

  • 56

    Interview: Sep 2nd, 2012

    Chris Lough

    The audience was also curious as to what characters he had the hardest time grasping.

    Brandon Sanderson

    “Aviendha and Tuon are the ones I worked the hardest on, but I expected them to be hard. I wasn’t expecting Mat to be hard. That blindsided me.” Brandon explained that in general the Andoran characters are the easiest for him to write as, “They feel like friends from high school.” So it surprised Brandon when he sat down to write Mat and discovered that he didn’t have an immediate grasp on him. Brandon eventually realized it was because, unlike the other characters, “Mat is an untrustworthy narrator. He doesn’t always believe what he says and he doesn’t even always believe the thoughts in his own head. He’s a character I’ve struggled to write but I think I’ve gotten as close to him as it’s possible for me to get.” (The positive reaction to the Mat chapter he read certainly put weight to this statement.)

    He also, tongue-in-cheek, admitted that before he wrote Cadsuane she was his least favorite character. “She was just too mean!”

    Tags

  • 57

    Interview: Sep 13th, 2010

    Brent Weeks (27 September 2010)

    Magic Explained. Definitively.

    Well, for my books. Well, mostly.

    (I'm jumping back a couple of posts here—but both Brandon and I have been traveling on and off during this Babel Clash, so apologies on some non-linearity.)

    From a storytelling standpoint, the more magic you have in a world, the more problems you create, so I've dealt with magic differently in my two series. In the Night Angel books, I wanted to start with magic users being incredibly rare. The paradigm was that magic users were like professional athletes—the average person would go their whole life without ever seeing one in person, though they would hear about them. Of course, if you're in the right circles, you might know or see a lot of pro athletes. But, like pro athletes (depending on the sport), the average person might walk right past one of them on the street and never know it.

    That built in some mystery from the start. Then I did something that seemed to hit different reviewers differently. I had a magic system that I understood, that had scientific limits, and costs and clear delineations—but then I filtered that through a medieval, pre-scientific worldview. Then, I figured that each culture is going to have different views of magic: even if magic works the same physically everywhere, a culture is going to affect how people use their magic or understand it. Then I layered in the fact that my main character is an ignorant kid, and some people lie to him about how magic works. And then I put in—for one culture—a parasite that would feed on magic, making those infected more powerful in the short run, but ultimately destroying them.

    Sound complex? It was, but I had a handle on it. It had costs and limits—they just weren't what the main character always thought they were. That preserved some of the mystery, made things fun as they unfolded, and makes re-reads of the books fun. (Wait, you're telling me Durzo lied?! Um, yep, Durzo lies.)

    But the complexity comes at a cost. And this is why I was asking Brandon earlier about how he thinks outside perceptions of a book or its author affect how you read a book. I think Brandon can get away with explaining little about his magic system (systems?) in The Way of Kings precisely because he's known as a magic system guy—his magic is always well thought out. Because I was a new guy with The Way of Shadows and because there are contradictory statements made about magic and no Irving the Explainer to say How Things Are, you could see the magic as just a mess. Contradictory. Contrived. Deus ex machina stuff.

    I don't know if there's a way around that except having your reputation grow. It's like when you show an awkward teen romance: Is this dialogue awkward because the characters are tongue-tied, or because the writer sucks at dialogue?

    Regardless, I decided to go the opposite way with The Lightbringer Trilogy, to take on something harder, and juggle the problems having lots of magic creates. This world has a proto-scientific understanding of magic. They're disciplined in their study, and they get most things right. (It helps that I'm using light as the basis for the magic, and light is innately funky and mind-boggling and cool and mysterious.) I also have the kid taught stuff that is (mostly) true. The fun comes from me making solid rules and making each magic obey the laws of physics: you want to throw a fireball the size of a house? Fine, can you lift a house?

    Each color of magic has its own attributes: red is sticky and flammable, blue is hard and smooth, and so forth. Then I gave each drafter a finite amount of magic they can use in their life—use it fast and you're hastening your own death. Then I gave each color a metaphysical effect on the drafter who uses it: using lots of blue makes a person more orderly, etc. Then I—well, there's more.

    But the rules are simple and analogous to those from real systems. I think this does strip away mystery, but adds wonder. It's like a physician who comes to understand many processes of the human body, but becomes more and more awed by life itself.

    To use a less grandiose metaphor, I see this magic as a box of toys. I hope people will play with them and put them together in ingenious ways. Indeed, the enjoyment and the terror for me as a writer is feeling like I'm in a footrace with my own fans. Who's going to come up with the coolest uses of these luxins? Them, or me?

    It's an experiment, and I think that's one of the greatest things about fantasy. We get to play. And if we keep that sense of play, of fun, then the magic—and the stories themselves—will be wondrous.

    So on that note, Dane, thank you for having me on to talk about some of the things that I love. And Brandon, thanks for sharing your thoughts—and for swatting aside a few hand grenades. It's been a real pleasure talking with you. And to my fans out there, if you haven't already, Check this guy out. His books are great.

  • 58

    Interview: 2013

    Twitter 2013 (WoT) (Verbatim)

    Kristi Deming (12 January 2013)

    Any chance of finding out what "Bao" or "The Wyld" mean since we have no glossary?

    Brandon Sanderson (12 January 2013)

    Both are a reference to Beowulf, and I meant the Wyld to mean "predator" or, in more common tongue, he who will kill the dragon.

    Footnote

    The name "Bao" also came from Bao Pham, a fan who has worked (along with Jimmy Liang, blademaster "Jaim" of The Yearly Brawl) teaching sword forms for JordanCon and the WoT track at DragonCon.

    Tags

  • 59

    Interview: Jan 9th, 2013

    Question

    How was the Old Tongue created?

    Harriet McDougal

    Jim had books on almost every language in the world in his study. He drew inspiration from those.

    Maria Simons

    A lot of it comes from those and at the same time a lot was just his own creativity in adapting that into this world which he has created.

    Tags

  • 60

    Interview: Jan 10th, 2013

    Aiel Heart

    Then, the store supervisor in charge of this event auctioned off the A Memory of Light poster that they had put on display. It sold for over $200, and the money went towards a local program which taught reading to at-risk children and adults who also needed help reading.

    About half of the Memory Keepers helped out with the signing process, making sure the flaps were in the right place, helping out with keeping the right books with the right people, giving the books back, and calling out the numbers.

    The rest were leading games in a different area of the store. For a short time, we had three different trivia games going, but eventually those combined into one and a hangman game started. We had other games planned, but those two lasted us through the night. There were new people that came around for trivia after the first group had ended, and so we got to "recycle" questions. The hangman was also fun—especially when the phrase was in Old Tongue. I enjoyed floating through these games as I dashed about.

    One of the trivia games:

    The hangman game (fuzzified):

  • 61

    Interview: Jan 9th, 2013

    Question

    How was Old Tongue created? Was it based on another language, or was it just off the top of his head?

    Maria Simons

    It was based on a lot of different languages. He had shelves and shelves of language books—every language, practically, known to man—but it was a lot of creativity on his part to put it all together.

    Brandon Sanderson

    Another fun story here. At one point, when I was visiting Charleston, I was talking about the mythological significance of certain things, and I'm like, "I can't figure out the mythological significance of the ashandarei." I knew pieces of Mat's mythological significance—not based on language, but the mythology—and Harriet said, "Oh, I know where it came from." She ran out to his library, selected a specific volume, came back with it and gave it to me and said, "It's this chapter right here." And showed me a chapter in that book that I could read that talked about the mythological significance of that specific piece of the Wheel of Time world. And so, there are all sorts of things like that that he used.

    Tags

  • 62

    Interview: Nov 5th, 2009

    Matthew Peterson

    Well, your Mistborn series did bring attention to you. I mean, that's one of the reasons why you are writing the Wheel of Time series. Robert Jordan wrote the first one in 1990, it's called The Eye of the World. Eleven books later, he passed on, suddenly, and left millions and millions people with their mouths open like, "Well, what's next?" Tell us a little bit about how you jumped on board to complete the Wheel of Time series.

    Brandon Sanderson

    Okay. I got up in the morning one day in October of 2007, fumbled downstairs to my long commute to my couch, picked up my phone to see if anyone had called me. And lo and behold there was a message from someone I didn't know the number of. And so I picked up my phone and I listened to it and was completely dumbfounded and shocked to hear a message from Harriet Rigney, Robert Jordan's widow, asking me if I would call her because there's something she wants to talk to me about. To be perfectly honest, my response was something on the lines of, "Blah, blu, blahb".

    Matthew Peterson

    [laughs]

    Brandon Sanderson

    I mean I couldn't even talk. Well, turns out that I was well known at TOR as a big fan of the series. I had written, when Robert Jordan had passed away, a eulogy for him, that kind of explained how he had been such a big influence on my life and upon how I had decided to become a writer and why I even chose my publisher. And so that eulogy had ended up on Harriet's desk and she had read it and then called Tom Doherty the publisher, and asked him, "Is this one of your guys?" He's like, "Yeah, this guy's a good writer. You should look into his work; he's a possibility." And so that's how I got brought on. I've described it like being hit by a freight train that I wasn't expecting.

    That’s the first I had heard of it. It was out of no where. At least as far as I was expecting it. So at that point, she requested some copies of the Mistborn books and she called me. Her initial call was a call to ask me if I'm interested before she did the work to search through my books and decide if she wanted to choose me. And so that initial phone call, when I finally got a hold of her. . . It was actually pretty hard to get a hold of her. She had left the house and I was just kind of running around in circles like a chicken with his head cut off because I didn't know what was going on and I was very tongue tied. And I eventually got a hold of her and she just said, "I want to see if you're interested before I do the work of reading one of your books and deciding." Well, to be perfectly honest, my response was something along the lines of "Blah ble blahh . . ."

    Matthew Peterson

    [laughs]

    Brandon Sanderson

    I mean, I couldn't even talk. I wrote her an email the next day that I sent care of Tom Doherty, that really essentially said, "Dear Harriet, I promise I'm not an idiot, even though I sounded like one."

    Matthew Peterson

    [laughs]

    Brandon Sanderson

    But she then sat down and read Mistborn, and it was about a month later. She read Mistborn. She considered some other people. She called me up and said, "Yes, I would like you to do this. Are you still interested?" And of course I was. It is one of those things that just happens unexpectedly.

    Matthew Peterson

    Just an amazing thing.

    Brandon Sanderson

    And it changes your life.

    Tags

  • 63

    Interview: Feb 6th, 2013

    Insectoid

    All right, let's see...

    San Diego signing, Mysterious Galaxy bookstore, Feb. 6.
    Both Brandon and Harriet attended.

    My mom and I got there fairly early (just after 5:30 PM), and there were already a large number of people there—I'll say around 50—and chairs were quickly disappearing, but we snagged a couple. Freelancer was already there, of course (being a Memory Keeper), and after I waved him over and we started chatting, s'rEDIT, who was sitting right behind us, introduced herself, and we talked for a long while.

    Around 6 PM or so, Free announced that he had some wonderful crossword puzzles for us (courtesy of Wetlandernw) to pass the time, and they certainly did. (Of the 79 clues, I was able to answer 64 of them correctly, though I did misspell several (i.e., wrong vowel). The other 15 I was unable to answer, and researched them when we got home. Thanks, Wetlander!)

    I first noticed Brandon and Harriet in the store at around 6:30 (though they must have arrived earlier, because Free claims to have had a private Q&A session, which I will leave to him to disclose). At 7 PM Brandon and Harriet were introduced, and Brandon went over how the night was going to proceed. The Memory Keepers then got set up for the Q&A (Free had a video camera, and many had voice recorders).

    Sometime during the shuffle (or possibly before 7PM? I can't recall), Harriet noted the photo of RJ that is on the wall behind the counter. She remembered that it was taken at Mysterious Galaxy during RJ's last tour (for Knife of Dreams, in 2005), and asked us if anyone knew who took the photo—at which point Mom and I both put our hands up, and told her. Our good friend Jeanne (who lived near us until she moved to the Bay Area) took this photo at the bookstore during the 2005 signing; it now adorns RJ's Wikipedia page, and she made the letter-size print for the MG store. In gratitude (for Harriet is very appreciative of the photo), she gave us a DVD of photos from that signing, including the one linked above, to send to Jeanne. It was a touching moment for us.

    The Q&A went splendidly; as there were to be no spoilers for the book, most of the questions were the usual kind, like asking Brandon and Harriet how Brandon was selected, and how he thought about it; what the most difficult character was for him to write; what his favorite of Rand's three girls was; that sort of thing. And most of those were fairly long-winded answers, with plenty of good humor mixed in from both of them. One daring fellow asked Brandon (tongue-in- cheek, undoubtedly) who killed Asmodean; Harriet insisted on answering, and him (loosely paraphrased) that it was an exercise in being able to read the Glossary, and we all laughed. One question was asked about the "River of Souls" story in the Unfettered anthology; this was the first I'd heard of it being a deleted scene from A Memory of Light, so that was kind of neat. A question was asked about one of Brandon's other books (one which I haven't read, so it didn't make any sense to me).

    It wasn't until about 7:45 or so that he finally called an end to the Q&A, and had Harriet do a very short reading from the book, which I will probably never forget, because the paragraph she read was the one used in each of the 14 volumes of TWoT: the wind scene. When she got to "There are neither beginnings nor endings to the turning of the Wheel of Time", she paused, and let us recite with her, "But it was a beginning."

    Mom and I were second in the signing line, so we had plenty of time to get a group photo:

    Sorry for the poor image quality; it was taken with my iPod touch, as I had neglected to bring a better camera. (And, indeed, I forgot to take any more pictures of anyone that night, which I regret a little.)

    After we got our books signed, we went to get some fresh air, stretch our legs (imagine standing up after sitting on a hard folding chair for two hours, and you'll know what it felt like getting up), and get some dinner at the McDonald's. s'rEDIT was also there (her number was far enough in the line that she could wait a while), and we talked with her for almost an hour, and with another group from the signing (several of whom were sporting very nice outfits, including a Blue Aes Sedai and an Asha'man).

    After dinner, we walked back to the bookstore and had another chat with Free out front. Mom and I elected not to stay for personalizations or additional questions; it was late and she was tired, so we said good-bye and left.

    So... that turned out rather wordy, didn't it! Shame on me. Looking forward to Free's report.

    Bzzz™.

  • 64

    Interview: Feb 15th, 2013

    Rebecca Lovatt

    Most of the questions during the Q&A centered on the writing process in one way or another, either of these last three Wheel of Time books or of his other works. I had never before had a grasp on the sheer size of what Mr. Jordan had thought about and committed to (digital) paper about this series, all the details that will probably never see the light of day, until Brandon commented that his attempt to put Jordan's massive document onto his own computer resulted in it crashing after 32,000 pages. If we ever need a metric to relate how real the world Jordan created was, that is as good as it gets.

    Brandon Sanderson

    Brandon also shared the funny and idiosyncratic way Mr. Jordan would get his inspiration for names; it wasn't all just Norse and Hindu myth all the time, but apparently also everyday objects—streets in his home town (Ogier Street!), his washing machine, and random strolls through the phone book. If you've lived in Charleston in the past 23 years, who knows, you may have made an appearance as an Andoran Noble or the Old Tongue name for an Aiel warrior society!

    Tags

  • 65

    Interview: Feb 22nd, 2013

    Terez

    Um, was there any connection between Mat's luck and the dagger?

    Brandon Sanderson

    Um, not that I know of. Good question, but we can MAFO that one, but you can give the, "not that I know of". I'm still kind of...you know, the Mat's luck being beyond him being ta'veren, is one that's very interesting to me, because everything that I know says that his luck does extend beyond his ta'verenness, but...

    Terez

    Well, it's like his whole plotline seems kinda designed as like this revenge story for Manetheren against Aridhol, you know?

    Brandon Sanderson

    Yeah, uh-huh. Yep.

    Terez

    And, you know, he starts speaking the Old Tongue right before they go into Shadar Logoth; that's the first time he speaks it...

    Brandon Sanderson

    Uh-huh. Yep.

    Terez

    ...you know, and then as soon as he wakes up from the Healing, he's got memories, he's got this luck, you know?

    Brandon Sanderson

    Yeah. Mmmhmm.

    Terez

    So...yeah.

    Tags

  • 66

    Interview: Feb 22nd, 2013

    Terez

    The name...how do you pronounce it? Is it no-tay, or no-tie?

    Brandon Sanderson

    Oh, it's...you pronounce the K.

    Terez

    Oh, you pronounce the K!

    Brandon Sanderson

    ....according to Alan, who is the Old Tongue expert, who corrected me on it even though I named him.

    Terez

    So say it!

    Brandon Sanderson

    k'no-tie. But Alan can correct me, because Alan is the expert.

    Terez

    Does it have any mythological basis that you know of?

    Brandon Sanderson

    No, it does not that I know of, because that one, as most of the names—not all of them, but most of them that I named, because I named him—came from me writing something in English, and saying, "Alan, give me the Old Tongue."

    Terez

    Okay.

    Brandon Sanderson

    And so, there are times where he'll find something, and I'll be like, "Oh, that sounds like this! Let's use it. Oh, this sounds like this; let's use it." Most of the time, it's...he comes up with the direct translation.

    Terez

    Like, Shaisam, actually...

    Brandon Sanderson

    Yeah.

    Terez

    Yeah, I mean that's easy to figure out for us, right?

    Brandon Sanderson

    Yeah. And there are some where I say, "Let's find something that feels like this..." and then, you know, of course, Perrin's hammer, right?

    Terez

    Yeah.

    Brandon Sanderson

    That's one where you're like, you know, let's find an Old Tongue translation that works for what the mythological symbolism is.

    Terez

    And that works well. It's hard to pronounce though.

    Brandon Sanderson

    Yeah, it is a little hard to pronounce though.

    Terez

    Can you pronounce it?

    Brandon Sanderson

    MAH-HAHL-in-ear? Eh...ask Alan.

    Terez

    (laughs) Okay.

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  • 67

    Interview: Feb 22nd, 2013

    Question

    Two words that I find very evocative are Dreadbane and Balescream. What's yours?

    Brandon Sanderson

    You can usually guess that if it's not Old Tongue, it's probably me.

    Question

    I mean what's your favorite word? What's the word you find most evocative from the series?

    Brandon Sanderson

    In the series. Let me see. Hmm. I've always liked the term Heartstone. I would think. That one is very evocative to me.

    Tags

  • 68

    Interview: Feb 22nd, 2013

    Question

    Chris Cottingham asked, Is Nakomi's dealing with the soup for Aviendha the same as Rand and the pipe?

    Brandon Sanderson

    What do you mean?

    Question

    Is it the same power?

    Brandon Sanderson

    (Laughs) No, it is not. I'll go ahead and, wow, you actually managed to get a question out of me about Nakomi. No that is not the same.

    Footnote—Terez

    (Brandon later said that he didn't know anything more than the fans do about the pipe.)

    Question

    Is "Nakomi" from the Old Tongue, and is there a translation?

    Brandon Sanderson

    I'll go ahead and RAFO anything else dealing with Nakomi. You did get an answer out of me on one thing, so that's good.

    Harriet McDougal

    Nakomi wandered in from the Song of Hiawatha.

    Brandon Sanderson

    There you go.

    Question

    That's what we thought, yes.

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  • 69

    Interview: Apr 15th, 2013

    Reddit AMA 2013 (Verbatim)

    Cheese_Ninja ()

    Did Kaladin say the words of the 2nd Ideal of the Windrunners in modern day Alethi or the ancient tongue that Dalinar uses in his visions?

    Brandon Sanderson

    He spoke them in his own language.

    Tags

  • 70

    Interview: Feb 1st, 2013

    TsorovanSaidin

    Just got done at the Salt Lake signing!

    My buddy and I drove 7 hours for this. I got the last question at the Q&A too! Brandon talked to us for a good five minutes, since my buddy and I were the only two to bring leather bounds in, being 2 of the only 125 made for the public, he was very impressed and took the time to make sure the personalizations were special. I wrote Lan's "I am just a man, that is all I have ever been." He liked that so he wrote it.

    For my buddy he wrote in there "there are neither beginnings not endings to the turning of the Wheel of Time, but it was an ending."

    He was really impressed that we both brought a leather bound. In my ToM I threw in "it's time to toss the dice." And he goes, "do you want it in Old Tongue?" I about freaked out. That man is a true fan. And in my hard backed AMoL I asked him to put the Androl quote I wrote in there, and he was happy to oblige. Needless to say it was a good night. They also had Wheel Of Time iPhone cases and I'm getting one of those.

  • 71

    Interview: Apr 15th, 2013

    Reddit AMA 2013 (Verbatim)

    ShakaUVM ()

    Why is the Old Tongue always the same Old Tongue? Shouldn't some of Mat's previous lives speak Old Old Tongue? Or Old Old Old Tongue?

    Brandon Sanderson

    I've envisioned it as the Old Tongue being a kind of 'perfect' language, so to speak. An ideal language that goes beyond simple language development. When Mat speaks it, he's tapping into something greater than himself. This is my personal feeling, however, as the notes do not answer this question.

    Tags

  • 72

    Interview: Mar, 2006

    Robert Jordan

    The Encyclopedia's already been published [BWB], but we have the raw notes. To keep track of what I've written, I have all sorts of "Remember" files. Every nation has a file listing culture, customs, everything about that country I might need to know plus every character who has been mentioned as a native of that country, all the information that's been given about him or her in the books, even some things that haven't been used yet. There's a file for everyone: named and unnamed, living, dead, historical, whatever! "Who Is Where" is a file that lists, country by country, the last place every character in the book was seen. "ABC" (which used to be called "The Glossary") has every word or term or name I've created including every word in the Old Tongue. If I printed out all the "Remember" files, they'd be somewhere between 1,300 and 1,500 pages—but there are limits! They would probably be insanely boring for most people, but I want to make sure I remember what I created on the fly.

    Tor has set up a website with a Question and Answer of the week. And Jason Denzel at Dragonmount.com set up a blog for me. When I'm not touring I'll post maybe once every week or two. I haven't been flamed yet on my site and trolls haven't shown up, but I don't know that I expect them to. My fans are generally pretty nice, polite people. In their discussion groups they say who they hate and what they hate about what I've written—that's OK; if I can create somebody powerful enough that people really hate them, I'm doing my job even if I didn't mean for them to be hated. The characters don't have lives of their own, though. Whatever my readers may think, I'm an Old Testament God with my fist in the middle of my characters' lives: I created them and they do what I want, when I want them to! I do figure out why they're behaving that way, as if they werereal people, and that helps the reader believe in them.

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  • 73

    Interview: Mar 17th, 2012

    Zas

    This one is from Terez, about WoT. It says "Does Moridin have anything to do with the Knife of Dreams?"

    Peter

    She thinks that his name "Tedronai" translates into Knife of Dreams in WoT.

    BRANDON SANDERSON

    (slightly surprised) Oh. If that is the case Terez,which it very well may be, I don’t know. I don’t know. That’s mostly because I don’t do anything with the Old Tongue- I let Alan handle it, because he’s so good at it, I pretty much just refer to him. The only thing I tried to name on my own was Perrin’s hammer. And even that, he had to fix a few little things to make it work right.

    So I won’t kill that theory, but I can’t confirm it either.

    Tags

  • 74

    Interview: Mar 21st, 2014

    Kurkistan

    Are flamespren, are they all doing their own thing, or is there some Ideal of "Fire" sitting in the Spiritual Realm that they're all based on?

    Brandon Sanderson

    Each spren is based on the Ideal of Fire.

    Kurkistan

    And is that sitting in the Spiritual Realm?

    Brandon Sanderson

    Yes, we're using sort of a Platonic Ideal, and that concept is in force, so < sounds hesitant > "yes", but [spren] are manifestations of it.

    Kurkistan

    So these Ideals in the Spiritual Realm: Divine Breath, does that heal by accessing some Ideal of Human Health: so a guy who had never had a tongue and doesn't know how to speak all the sudden has a tongue and can speak? [Note: Talking of Susebron here]

    Brandon Sanderson

    You are... < LONG pause > You are, um, on the right track.

    Kurkistan

    Okay...

    Brandon Sanderson

    Because the Breath is... eh. How can I explain this? You are, yeah... So... So each Breath is a shade of deity, right?

    Kurkistan

    Yeah.

    Brandon Sanderson

    And each Breath incorporates into it this sort of idea of being endowed by the deity Endowment, correct?

    Kurkistan

    Yes.

    Brandon Sanderson

    And so each Breath you hold brings you one step closer to becoming like that, and so what you're saying is... is "yes", kind of true, yes.

    Kurkistan

    But it's like within the Breath, not sitting off by itself—

    Brandon Sanderson

    Yes, yes yes exactly.

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  • 75

    Interview: Jan 10th, 2013

    NutiketAiel

    When working on a personalization for a fan:

    Brandon Sanderson

    "My Old Tongue is rusty."

    Tags

  • 76

    Interview: 1984

    Robert Jordan

    Rand al'Thor is, he believes, the son of the widowed farmer and sheepherder, Tam al'Thor, with whom he lives outside a small village, Emond's Field. The village lies in an area bounded on the west by the Mountains of Mist, on the south by the White River [So called because it is full of rapids. Ii {sic} is also broad. In ancient tongue it was called, as still is to the east, Etheralell, waters of the Mountain Home] and on the north by the River Taren. [NOTE: The stream which flows away from Emond's Field, on which the mill stands below the village, is called the Winespring Water. It comes from a spring called Winespring (in the village, in the center of the village green, with a footbridge), the waters of which are so cool and sweet and refreshing as to be as intoxicating as wine.] These two rivers join about fifty miles east of Emond's Field. Emond's Field is isolated from the world, by custom as well as by geography, as are the neighboring villages. Few people leave the district, and fewer still of those return once gone. The area is called by locals Two Rivers, and contains four villages: Emond's Field, Roundhill, Parry Coomb, and Taren Ferry (the smallest).

    Tags

  • 77

    Interview: Aug 13th, 2014

    Question

    In Well of Ascension, it mentions that the language of Terris had a gender neutral pronoun. If you actually constructed the language, what was that pronoun? Or did you just leave it as its English translation of "it"?

    Brandon Sanderson

    I didn't spend a long time on the languages in Scadrial, since most people were speaking the same tongue. I just used "it" in my own writings. Roshar has a lot more detail on the languages, because culture-clash is a bigger part of the theme of the series.

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  • 78

    Interview: Aug 23rd, 2014

    Harriet McDougal (paraphrased)

    The Wheel of Time Encyclopedia is dead! Long live The Wheel of Time Companion as it will now officially be called.

    The book will be 350,000 words long (comparable to several of the novels in the series; the longest, The Shadow Rising, is 389,000 words).

    The book will feature a lot of new artwork, arranged by Irene Gallo at Tor.

    Publication date likely to be November 2015.

    The book will feature all of the already-published maps and also some new ones, including one of Thakan'dar.

    The book will have a large vocabulary of the Old Tongue, with a minimum of 1,000 words.

    The book will feature character profiles and sketches for almost every character in the series. Even Bela has her own entry.

    The book will be written from a post-AMoL POV. It will have spoilers for the entire series.

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  • 79

    Interview: Apr 24th, 2016

    Question

    So I know that basically Wax and Wayne are basically 1.5, has it turned into 2?

    Brandon Sanderson

    I wish I had called it 1.5. We just have to call it Era 2 now for consistently and clarity sake. If I’d called it 1.5 from the beginning I would have liked that to prevent slips of the tongue myself. If I called the other one Era 2 (meaning 3), I’ve thought of it like that so long it happens. Now we just have to live with it.

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  • 80

    Interview: Feb 20th, 2015

    Question

    I was curious Mat and then the second-hand man Talmanes… Did you have inspiration for those-- Because I absolutely enjoyed, I laughed out loud multiple times reading those characters. And I wondered--

    Brandon Sanderson

    With Mat it was always just me trying to match Robert Jordan’s style, sometimes awkwardly at first but I think I got it down. With Talmanes there was more room for interpretation because I had always-- In fandom people interpret his personality in a lot of different ways, and I was a certain theory because we’d never seen through his eyes. When I did write scenes through his eyes I used my interpretation. There are some people “No that’s not how he is”. There are some people “Yes I always knew he was like that”. But that’s how I’ve always viewed him, with kind of the tongue in his cheek as he’s talking to Mat. And I’ve always loved him as a character because of that. Which is why I wanted to write him and include him. There weren't any notes to use him.

    Tags

  • 81

    Interview: Oct 6th, 2015

    the fulgid

    Is it possible for there to be a microkinetic who can see spiritwebs to the point that they could alter a web, granting at will new abilities that were previously inaccesible?

    Brandon Sanderson

    It IS possible that a person could exist who uses micokinesis to see spiritwebs and alter them according to their will. However, Dragonsteel is pre-Shattering. (Which I infer to mean microkinesis no longer exists post-Shattering, when other magic abilities become prevalent.)

    Footnote

    This question refers to the magic system from the unpublished work Dragonsteel The fulgid:Those were my only two questions. I will note that I was intrigued by his statement about Dragonsteel being pre-Shattering, and told him that I (and others) were under the impression that Liar of Partinel and Lightweaver of Rens were pre, while Dragonsteel and everything after was post. To my great pleasure he said "No, it is definitely pre-Shattering because..." and then kind of bit his tongue to stop himself from saying more, and just nodded his head. Take from that what you will, I know what I theorize from it.

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  • 82

    Interview: Sep 1st, 2016

    Question

    So, I wanted you ask: you, I think more than almost any other fantasy author, you create universes and then you leave them behind. I feel like you could have pages of a physics lecture for each of your universes and you'd have equations for everything. Have you always had these ideas for these various universes with gods and magic systems and things like that, or are you always creating them as you go?

    Brandon Sanderson

    Its yes and no. A lot of the ones you're seeing in the cosmere are things I created at the beginning to be kind of what the cosmere was. But I left some holes intentionally cause I knew I would come up with cool things that I wanted to add, and so I built in that wiggle room, and I'm always coming up with new ones, and there are way more that I want to do than I can write, like the one I keep wanting to find a chance for is like - do you guys know how Nikolai Tesla tried to create wireless energy? I think I've talked about this one. Like, he tried to create wireless energy, and I'm like "what if there were a world where that happened naturally"? Where you had an actual current going, and you could set your lantern on the ground and it would create a current and your lantern would just turn on, you don't need electricity, and you could have giant toads that could shoot out electrodes in their tongue that would create a current, like tazer tongues? *Brandon makes tazer noises* Stuff like this. And so, I started jumping in to looking at electricity and things like this, and current and whatnot, and that's just all back there and I'm like "aww, someday I need to be able to write this." But there are so many things that I want to write that I just don't have the time for, so it's a yes and no.

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